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Herstellungsland | Deutschland |
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Veröffentlichungs-Jahr | 2017 |
Zeit | 2462:24 |
EAN-Nr. | 5028421954806 |
Label/Labelcode | BRILLIANT CLASSICS / LC 09421 |
Plattenfirma/Katalog-Nr. | Brilliant Classics / 95480 |
Musikrichtung | Klassik |
Sammlungen | Gesucht | Flohmarkt |
---|---|---|
0 (1 privat) | 0 | 0 |
CD 1 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 57:29 | |||
1. | Robert de Visée | Suite in F-Sharp Major: I. Prelude | 0:46 | I |
2. | Robert de Visée | Suite in F-Sharp Major: II. Allemande | 2:28 | I |
3. | Robert de Visée | Suite in F-Sharp Major: III. Courante | 1:33 | I |
4. | Robert de Visée | Suite in F-Sharp Major: IV. Sarabande | 2:30 | I |
5. | Robert de Visée | Suite in F-Sharp Major: V. Gigue | 1:39 | I |
6. | Robert de Visée | Suite In F-Sharp Major: VI. Bourée | 0:43 | I |
7. | Robert de Visée | Suite in F-Sharp Major: VII. Chacone | 2:18 | I |
8. | Robert de Visée | Suite in F-Sharp Major: VIII. Gavotte | 0:49 | I |
9. | Robert de Visée | Suite in F-Sharp Major: IX. Sarabande | 2:40 | I |
10. | Robert de Visée | Suite in F-Sharp Major: X. Menuet | 2:01 | I |
11. | Robert de Visée | Suite in B Minor: I. Prelude | 0:52 | I |
12. | Robert de Visée | Suite in B Minor: II. Allemande | 2:55 | I |
13. | Robert de Visée | Suite in B Minor: III. Courante | 1:41 | I |
14. | Robert de Visée | Suite in B Minor: IV. Sarabande | 2:04 | I |
15. | Robert de Visée | Suite in B Minor: V. Gigue | 1:14 | I |
16. | Robert de Visée | Suite in B Minor: VI. Passacaille | 4:22 | I |
17. | Robert de Visée | Suite in G Major: I. Prelude | 1:15 | I |
18. | Robert de Visée | Suite in G Major: II. Allemande | 2:31 | I |
19. | Robert de Visée | Suite in G Major: III. Courante | 1:30 | I |
20. | Robert de Visée | Suite in G Major: IV. Sarabande | 3:26 | I |
21. | Robert de Visée | Suite in G Major: V. Gigue | 1:37 | I |
22. | Robert de Visée | Suite in D Minor: I. Prelude | 0:46 | I |
23. | Robert de Visée | Suite in D Minor: II. Allemande | 2:16 | I |
24. | Robert de Visée | Suite in D Minor: III. Courante | 1:17 | I |
25. | Robert de Visée | Suite in D Minor: IV. Sarabande | 2:12 | I |
26. | Robert de Visée | Suite in D Minor: V. Gigue | 1:28 | I |
27. | Robert de Visée | Suite in D Minor: VI. Gavotte | 0:48 | I |
28. | Robert de Visée | Suite in D Minor: VII. Bourée | 0:35 | I |
29. | Robert de Visée | Suite in D Minor: VIII. Menuet | 1:01 | I |
30. | Robert de Visée | Suite in D Minor: IX. Passacaille | 4:12 | I |
31. | Robert de Visée | Suite in D Minor: X. Menuet | 2:00 | I |
CD 2 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 68:00 | |||
1. | Johann Sebastian Bach | Suite in E Minor, BWV 996: I. Preludio. Passaggio – Presto | 2:57 | I |
2. | Johann Sebastian Bach | Suite in E Minor, BWV 996: II. Allemande | 3:49 | I |
3. | Johann Sebastian Bach | Suite in E Minor, BWV 996: III. Courante | 2:32 | I |
4. | Johann Sebastian Bach | Suite in E Minor, BWV 996: IV. Sarabande | 4:12 | I |
5. | Johann Sebastian Bach | Suite in E Minor, BWV 996: V. Bourée | 1:10 | I |
6. | Johann Sebastian Bach | Suite in E Minor, BWV 996: VI. Giga | 2:49 | I |
7. | Johann Sebastian Bach | Suite in E Major, BWV 1006: I. Präludium | 4:08 | I |
8. | Johann Sebastian Bach | Suite in E Major, BWV 1006: II. Loure | 3:29 | I |
9. | Johann Sebastian Bach | Suite in E Major, BWV 1006: III. Gavotte en Rondeaux | 3:02 | I |
10. | Johann Sebastian Bach | Suite in E Major, BWV 1006: IV. Menuett I | 1:16 | I |
11. | Johann Sebastian Bach | Suite in E Major, BWV 1006: V. Menuett II | 2:09 | I |
12. | Johann Sebastian Bach | Suite in E Major, BWV 1006: VI. Bourée | 1:34 | I |
13. | Johann Sebastian Bach | Suite in E Major, BWV 1006: VII. Gigue | 1:54 | I |
14. | Johann Sebastian Bach | Partita in D Minor, BWV 1004: I. Allemanda | 7:04 | I |
15. | Johann Sebastian Bach | Partita in D Minor, BWV 1004: II. Corrente | 2:48 | I |
16. | Johann Sebastian Bach | Partita in D Minor, BWV 1004: III. Sarabanda | 4:16 | I |
17. | Johann Sebastian Bach | Partita in D Minor, BWV 1004: IV. Giga | 4:31 | I |
18. | Johann Sebastian Bach | Partita in D Minor, BWV 1004: V. Ciaccona | 14:20 | I |
CD 3 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 50:37 | |||
1. | Domenico Scarlatti | Sonata, Kk. 377: Allegrissimo | 3:27 | I |
2. | Domenico Scarlatti | Sonata, Kk. 208: Adagio e cantabile | 5:17 | I |
3. | Domenico Scarlatti | Sonata, Kk. 209: Allegro | 5:14 | I |
4. | Domenico Scarlatti | Sonata, Kk. 32: Aria | 2:46 | I |
5. | Domenico Scarlatti | Sonata, Kk. 77: Moderato e cantabile | 4:32 | I |
6. | Domenico Scarlatti | Minuet | 1:29 | I |
7. | Domenico Scarlatti | Sonata, Kk. 34: Larghetto | 3:17 | I |
8. | Domenico Scarlatti | Sonata, Kk. 291: Andante | 5:00 | I |
9. | Domenico Scarlatti | Sonata, Kk. 292: Allegro | 2:34 | I |
10. | Domenico Scarlatti | Sonata, Kk. 87 | 3:33 | I |
11. | Domenico Scarlatti | Sonata, Kk. 481: Andante e cantabile | 4:16 | I |
12. | Domenico Scarlatti | Sonata, Kk. 476: Allegro | 3:42 | I |
13. | Domenico Scarlatti | Sonata Kk. 213: Andante | 5:30 | I |
CD 4 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 66:01 | |||
1. | Domenico Cimarosa | Sonata C. 2: Andantino | 1:42 | I |
2. | Domenico Cimarosa | Sonata C. 3: Minuè | 1:14 | I |
3. | Domenico Cimarosa | Sonata C. 4: Allegretto | 2:28 | I |
4. | Domenico Cimarosa | Sonata C. 5: Allegretto | 1:34 | I |
5. | Domenico Cimarosa | Sonata C. 9 | 2:11 | I |
6. | Domenico Cimarosa | Sonata C. 14 | 1:21 | I |
7. | Domenico Cimarosa | Sonata C. 15 | 1:16 | I |
8. | Domenico Cimarosa | Sonata C. 16: Andante | 2:13 | I |
9. | Domenico Cimarosa | Sonata C. 17: Andante | 1:29 | I |
10. | Domenico Cimarosa | Sonata C. 18: Allegro | 1:18 | I |
11. | Domenico Cimarosa | Sonata C. 19 | 1:47 | I |
12. | Domenico Cimarosa | Sonata C. 20: Andante | 2:30 | I |
13. | Domenico Cimarosa | Sonata C. 21: Allegro | 1:57 | I |
14. | Domenico Cimarosa | Sonata C. 22: Andante | 2:01 | I |
15. | Domenico Cimarosa | Sonata C. 23 | 2:07 | I |
16. | Domenico Cimarosa | Sonata C. 24 | 2:00 | I |
17. | Domenico Cimarosa | Sonata C. 25: Andante | 4:01 | I |
18. | Domenico Cimarosa | Sonata C. 33: Andantino | 1:28 | I |
19. | Domenico Cimarosa | Sonata C. 34: Allegro | 1:45 | I |
20. | Domenico Cimarosa | Sonata C. 35: Allegro | 2:05 | I |
21. | Domenico Cimarosa | Sonata C. 36: Allegro | 1:31 | I |
22. | Domenico Cimarosa | Sonata C. 37: Andantino | 2:09 | I |
23. | Domenico Cimarosa | Sonata C. 47: Allegro | 3:11 | I |
24. | Domenico Cimarosa | Sonata C. 49: Larghetto | 3:28 | I |
25. | Domenico Cimarosa | Sonata C. 50: Allegro | 1:50 | I |
26. | Domenico Cimarosa | Sonata C. 53: Allegro | 3:14 | I |
27. | Domenico Cimarosa | Sonata C. 55: Largo | 2:37 | I |
28. | Domenico Cimarosa | Sonata C. 56: Allegro | 3:52 | I |
29. | Domenico Cimarosa | Sonata C. 58: Andantino grazioso | 1:52 | I |
30. | Domenico Cimarosa | Sonata C. 61: Largo | 3:50 | I |
CD 5 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 58:19 | |||
1. | Luigi Rinaldo Legnani | Duetto concertante, Op. 23: I. Allegro maestoso | 8:33 | I |
2. | Luigi Rinaldo Legnani | Duetto concertante, Op. 23: II. Moderato | 4:32 | I |
3. | Luigi Rinaldo Legnani | Duetto concertante, Op. 23: I. Allegro scherzo | 5:42 | I |
4. | Luigi Rinaldo Legnani | Cavatina d’Ernani: I. Andante | 2:15 | I |
5. | Luigi Rinaldo Legnani | Cavatina d’Ernani: II. Allegro | 2:33 | I |
6. | Luigi Rinaldo Legnani | Gran Duetto, Op. 87: I. Maestoso | 10:19 | I |
7. | Luigi Rinaldo Legnani | Gran Duetto, Op. 87: II. Largo cantabile | 4:11 | I |
8. | Luigi Rinaldo Legnani | Gran Duetto, Op. 87: III. Recitativo | 1:03 | I |
9. | Luigi Rinaldo Legnani | Gran Duetto, Op. 87: IV. Polcca | 7:47 | I |
10. | Luigi Rinaldo Legnani | Cavatina D’Elvira: I. Andante | 2:09 | I |
11. | Luigi Rinaldo Legnani | Cavatina D’Elvira: II. Allegretto | 1:28 | I |
12. | Luigi Rinaldo Legnani | Cavatina D’Elvira: I. Allegro con brio | 7:47 | I |
CD 6 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 76:34 | |||
1. | Ferdinando Carulli | Solo No. 1, Op. 76: Andante sostenuto – Allegretto | 9:20 | I |
2. | Ferdinando Carulli | Trois menuets et trois valses, Op. 84: I. Largo – Valse & trio | 5:59 | I |
3. | Ferdinando Carulli | Trois menuets et trois valses, Op. 84: II. Largo – Valse & trio | 7:19 | I |
4. | Ferdinando Carulli | Trois menuets et trois valses, Op. 84: III. Largo – Valse & trio | 5:24 | I |
5. | Ferdinando Carulli | Grand et seul recueil, Op. 114: Morceau in G Minor | 4:35 | I |
6. | Ferdinando Carulli | Grand et seul recueil, Op. 114: Morceau in E Minor | 6:16 | I |
7. | Ferdinando Carulli | Les folies d’Espagne, Op. 75 | 6:10 | I |
8. | Ferdinando Carulli | Petits solos brillants et non difficiles, Op. 262: II. Andante sostenuto – Allegretto | 5:34 | I |
9. | Ferdinando Carulli | Petits solos brillants et non difficiles, Op. 262: III. Adagio – Allegretto | 4:30 | I |
10. | Ferdinando Carulli | Les sons harmoniques, Op. 111 | 8:02 | I |
11. | Ferdinando Carulli | Trois divertissements in E Major, Op. 223: I. Larghetto – Allegretto grazioso | 4:16 | I |
12. | Ferdinando Carulli | Trois divertissements in E Major, Op. 223: II. Valse | 4:10 | I |
13. | Ferdinando Carulli | Trois divertissements in E Major, Op. 223: III. Rondeau pastoral | 4:59 | I |
CD 7 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 51:56 | |||
1. | Fernando Sor | Étude No. 8 in C Major, Op. 6 | 2:29 | I |
2. | Fernando Sor | Étude No. 13 in C Major, Op. 35 | 0:54 | I |
3. | Fernando Sor | Étude No. 2 in A Major, Op. 6 | 1:21 | I |
4. | Fernando Sor | Étude No. 1 in D Major, Op. 6 | 1:23 | I |
5. | Fernando Sor | Étude No. 22 in E Minor, Op. 35 | 2:55 | I |
6. | Fernando Sor | Étude No. 17 in D Major, Op. 35 | 1:45 | I |
7. | Fernando Sor | Étude No. 21 in F Major, Op. 31 | 2:05 | I |
8. | Fernando Sor | Étude No. 16 in D Minor, Op. 31 | 2:18 | I |
9. | Fernando Sor | Étude No. 20 in A Minor, Op. 31 | 1:04 | I |
10. | Fernando Sor | Étude No. 19 in A Major, Op. 31 | 1:44 | I |
11. | Fernando Sor | Étude No. 3 in E Major, Op. 6 | 1:37 | I |
12. | Fernando Sor | Étude No. 6 in A Major, Op. 6 | 1:46 | I |
13. | Fernando Sor | Étude No. 9 in D Minor, Op. 6 | 3:14 | I |
14. | Fernando Sor | Étude No. 12 in A Major, Op. 6 | 6:17 | I |
15. | Fernando Sor | Étude No. 16 in D Minor, Op. 35 | 1:44 | I |
16. | Fernando Sor | Étude No. 3 in A Major, Op. 29 | 2:24 | I |
17. | Fernando Sor | Étude No. 11 in E Major, Op. 6 | 3:44 | I |
18. | Fernando Sor | Étude No .22 in E-Flat Major, Op. 29 | 4:42 | I |
19. | Fernando Sor | Étude No. 13 in B Major, Op. 29 | 4:46 | I |
20. | Fernando Sor | Étude No. 17 in C Major, Op. 29 | 3:44 | I |
CD 8 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 48:32 | |||
1. | Caspar Joseph Mertz | Barden-Klänge, Volume 1: I. An Malvina | 4:52 | I |
2. | Caspar Joseph Mertz | Barden-Klänge, Volume 1: II. Romanze | 4:38 | I |
3. | Caspar Joseph Mertz | Barden-Klänge, Volume 2: I. Abendlied | 4:04 | I |
4. | Caspar Joseph Mertz | Barden-Klänge, Volume 2: II. Unruhe | 2:07 | I |
5. | Caspar Joseph Mertz | Barden-Klänge, Volume 2: III. Elfenreigen | 2:16 | I |
6. | Caspar Joseph Mertz | Barden-Klänge, Volume 3: I. An die Entfernte | 4:18 | I |
7. | Caspar Joseph Mertz | Barden-Klänge, Volume 3: II. Etüde | 2:04 | I |
8. | Caspar Joseph Mertz | Barden-Klänge, Volume 3: III. Capriccio | 2:16 | I |
9. | Caspar Joseph Mertz | Barden-Klänge, Volume 4: I. Gondoliera | 5:12 | I |
10. | Caspar Joseph Mertz | Barden-Klänge, Volume 4: II. Liebeslied | 4:45 | I |
11. | Caspar Joseph Mertz | Barden-Klänge, Volume 5: I. Fingals-Höhle | 3:41 | I |
12. | Caspar Joseph Mertz | Barden-Klänge, Volume 5: II. Gebeth | 3:50 | I |
13. | Caspar Joseph Mertz | Barden-Klänge, Volume 6: I. Tarantelle | 4:29 | I |
CD 9 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 79:18 | |||
1. | Bartolomeo Bortolazzi | Variations in G Major on Paisiello’s “Nel cor più non mi sento”, Op. 8 | 6:42 | I |
2. | Johann Nepomuk Hummel | Grande Sonata in C Major, Op. 37a: I. Allegro con spirit | 6:02 | I |
3. | Johann Nepomuk Hummel | Grande Sonata in C Major, Op. 37a: II. Andante moderato siziliano | 3:18 | I |
4. | Johann Nepomuk Hummel | Grande Sonata in C Major, Op. 37a: III. Rondo. Allegretto più tosto allegro | 4:20 | I |
5. | Mauro Giuliani | Grand Quintet, Op.65: I. Introduction, Theme & Variations on Paisiello’s “nel cor più non mi sento” | 10:00 | I |
6. | Mauro Giuliani | Grand Quintet, Op.65: II. Polonaise allegro in A Major | 8:52 | I |
7. | Ludwig van Beethoven | Andante and Variations in D Major, WoO 44b | 8:42 | I |
8. | Ludwig van Beethoven | Sonatina in C Minor, WoO 43a | 3:47 | I |
9. | Ludwig van Beethoven | Sonatina in C Major, WoO 44a | 2:38 | I |
10. | Ludwig van Beethoven | Six Variations in G Major on Paisiello’s “nel cor più non mi sento”, WoO 70 | 6:45 | I |
11. | Johann Nepomuk Hummel | Potpourri in G Minor, Op. 53 | 11:09 | I |
12. | Johann Baptist Vanhal | Six Variations in G Major on Paisiello’s “nel cor più non mi sento”, Op. 42 | 7:03 | I |
CD 10 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 57:23 | |||
1. | Anton Diabelli | Sonata No. 1 in C Major: I. Allegro | 2:43 | I |
2. | Anton Diabelli | Sonata No. 1 in C Major: II. Andante cantabile | 3:22 | I |
3. | Anton Diabelli | Sonata No. 1 in C Major: III. Menuetto. Allegro | 2:58 | I |
4. | Anton Diabelli | Sonata No. 1 in C Major: IV. Rondo. Allegretto | 3:32 | I |
5. | Anton Diabelli | Sonata No. 2 in A Major: I. Allegro risoluto | 7:36 | I |
6. | Anton Diabelli | Sonata No. 2 in A Major: II. Adagio | 5:09 | I |
7. | Anton Diabelli | Sonata No. 2 in A Major: III. Menuetto. Allegro | 4:56 | I |
8. | Anton Diabelli | Sonata No. 2 in A Major: IV. Rondo. Allegretto | 7:50 | I |
9. | Anton Diabelli | Sonata No. 3 in F Major: I. Allegro moderato | 6:14 | I |
10. | Anton Diabelli | Sonata No. 3 in F Major: II. Andante sostenuto | 4:58 | I |
11. | Anton Diabelli | Sonata No. 3 in F Major: III. Finale. Adagio – Presto | 8:05 | I |
CD 11 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 47:42 | |||
1. | Giulio Regondi | Feuille d’album ad libitum | 2:28 | I |
2. | Giulio Regondi | Rêverie – Nocturne, Op. 19: Larghetto – Più mosso | 8:56 | I |
3. | Giulio Regondi | Fête villageoise – Rondo caprice, Op. 20: Allegretto giusto | 6:25 | I |
4. | Giulio Regondi | Air varié, Op. 21: Introduction (Larghetto) – Tema (Andante) – Var.1 – Var.2 – Var.3 – Var.4 (Risoluto) | 9:14 | I |
5. | Giulio Regondi | Air varié, Op. 22: Introduction (Andante) – Tema (Andante) – Var.1 – Var.2 – Var.3 (Leggiero) – Var.4 (Larghetto) – Var.5 (Brillante) | 11:30 | I |
6. | Giulio Regondi | Introduction et caprice, Op. 23: Adagio – Allegretto scherzando | 9:09 | I |
CD 12 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 70:02 | |||
1. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 1. Allegretto | 0:19 | I |
2. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 2. Andantino | 1:29 | I |
3. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 3. Valtz | 1:18 | I |
4. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 4. Allegretto | 0:36 | I |
5. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 5. Moderato | 0:27 | I |
6. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 6. Andantino | 1:40 | I |
7. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 7. Valtz | 1:18 | I |
8. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 8. Andante | 0:54 | I |
9. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 9. Andantino | 0:48 | I |
10. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 10 | 1:33 | I |
11. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 11. Allegretto | 0:50 | I |
12. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 12. Andante | 2:09 | I |
13. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 13. Allegro | 0:58 | I |
14. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 14. Allegro assai | 1:04 | I |
15. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 15. Allegro | 1:08 | I |
16. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 16. “In cor più non mi sento” | 2:03 | I |
17. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 17. “Le streghe” | 1:49 | I |
18. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 18. Andantino | 2:12 | I |
19. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 19. Corrente | 0:48 | I |
20. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 20. “Là ci darem la mano” | 2:07 | I |
21. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 21. Allegretto | 0:57 | I |
22. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 22: Larghetto | 1:59 | I |
23. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 23 | 0:49 | I |
24. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 24. Andante | 0:51 | I |
25. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 25. Andante | 1:15 | I |
26. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 26. Arietta | 1:13 | I |
27. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 27. Andantino | 1:13 | I |
28. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 28. Valtz | 1:19 | I |
29. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 29. Marcia | 1:11 | I |
30. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 30. Allegretto | 0:55 | I |
31. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 31. Minuetto | 1:17 | I |
32. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 32. Allegretto | 0:46 | I |
33. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 33. Allegretto | 0:51 | I |
34. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 34. Valtz | 0:31 | I |
35. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 35. Valtz | 0:32 | I |
36. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 36 | 1:41 | I |
37. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 37. Adagetto con espressione | 0:51 | I |
38. | Niccolò Paganini | Ghiribizzi, Ms 43: Ghiribizzo 38. Vivace | 0:38 | I |
39. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 39. Allegretto | 0:46 | I |
40. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 40. Andante | 1:22 | I |
41. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 41. Allegro | 2:32 | I |
42. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 42 | 0:34 | I |
43. | Niccolò Paganini | Ghiribizzi, MS 43: Ghiribizzo 43 | 1:43 | I |
44. | Niccolò Paganini | Grande Sonata MS 3: I. Allegro risoluto | 6:16 | I |
45. | Niccolò Paganini | Grande Sonata MS 3: II. Romance: Più tosto largo – Amorosamente | 4:05 | I |
46. | Niccolò Paganini | Grande Sonata MS 3: III. Andantino variato | 8:25 | I |
CD 13 | ||||
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Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:42 | |||
1. | Napoléon Coste | Fantasy on Two Themes from Bellini’s Norma, Op. 16 | 6:35 | I |
2. | Napoléon Coste | Introduction and Variations on a Theme by Bellini (Il pirata) | 12:47 | I |
3. | Luigi Rinaldo Legnani | Elvira’s Cavatina from Verdi’s Ernani | 6:01 | I |
4. | Mauro Giuliani | Variations on “deh! calma o ciel” from Rossini’s Otello, Op. 101 | 6:27 | I |
5. | Jan Nepomucen Bobrowicz | Variations and Polonaise on a Duet from Bellini’s I Capuleti e i Montecchi, Op. 30 | 11:29 | I |
6. | Caspar Joseph Mertz | Marino Faliero from Opern-Revue No. 11, Op.8 after Donizetti | 11:23 | I |
7. | Giulio Regondi | Variations on an Air from Bellini’s I Capuleti e i Montecchi | 11:00 | I |
CD 14 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 60:25 | |||
1. | Mauro Giuliani | Sinfonia nell’opera la gazza ladra del M° Rossini: I. Allegro maestoso | 1:42 | I |
2. | Mauro Giuliani | Sinfonia nell’opera la gazza ladra del M° Rossini: II. Allegro | 5:40 | I |
3. | Mauro Giuliani | Sinfonia nell’opera l’assedio di Corinto del M° Rossini: I. Allegro vivace | 0:28 | I |
4. | Mauro Giuliani | Sinfonia nell’opera l’assedio di Corinto del M° Rossini: II. Marcia lugubre dei Greci | 2:33 | I |
5. | Mauro Giuliani | Sinfonia nell’opera l’assedio di Corinto del M° Rossini: III. Allegro assai | 6:14 | I |
6. | Mauro Giuliani | Sinfonia nell’opera Elisabetta, regina d’Inghilterra del M° Rossini: I. Andante maestoso | 1:40 | I |
7. | Mauro Giuliani | Sinfonia nell’opera Elisabetta, regina d’Inghilterra del M° Rossini: II. Allegro vivace | 5:25 | I |
8. | Mauro Giuliani | Sinfonia nell’opera la cenerentola del M° Rossini: I. Maestoso | 2:01 | I |
9. | Mauro Giuliani | Sinfonia nell’opera la cenerentola del M° Rossini: II. Allegro | 5:20 | I |
10. | Mauro Giuliani | Sinfonia nell’opera Il pirata del M° Bellini: I. Allegro con fuoco | 0:36 | I |
11. | Mauro Giuliani | Sinfonia nell’opera Il pirata del M° Bellini: II. Andante maestoso | 1:20 | I |
12. | Mauro Giuliani | Sinfonia nell’opera Il pirata del M° Bellini: III. Allegro agitato | 4:28 | I |
13. | Mauro Giuliani | Ouverture de l’opera la vestale par M° Spontini: I. Andante sostenuto | 1:48 | I |
14. | Mauro Giuliani | Ouverture de l’opera la vestale par M° Spontini: II. Presto assai agitato | 4:43 | I |
15. | Mauro Giuliani | Ouverture de La Clémence de Titus | 4:51 | I |
16. | Mauro Giuliani | Gran pot-pourri, Op. 67 | 11:36 | I |
CD 15 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 71:26 | |||
1. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: I. Allegretto in A Minor | 1:17 | I |
2. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: II. Scherzando in C Major | 1:10 | I |
3. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: III. Prélude in D Minor | 1:18 | I |
4. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: IV. Andantino in D Major | 1:21 | I |
5. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: V. Allegretto in E Major | 1:14 | I |
6. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: VI. Andantino in A Major | 1:42 | I |
7. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: VII. Agitato in A Minor | 1:40 | I |
8. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: VIII. Scherzando in E Minor | 4:24 | I |
9. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: IX. Andantino in G Major | 1:53 | I |
10. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: X. Allegretto in D Major | 1:42 | I |
11. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XI. Crotchet=132 in G Major | 1:16 | I |
12. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XII. Prélude. Allegro in C Major | 1:10 | I |
13. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XIII. Allegretto in C Major | 1:39 | I |
14. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XIV. Andante from fantaisie symphonique in A Major, Op. 28b | 3:57 | I |
15. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XV. Moderato in D Major | 1:32 | I |
16. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XVI. Allegretto in G Minor | 2:28 | I |
17. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XVII. Moderato in C Major | 2:18 | I |
18. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XVIII. Allegro in A Minor | 1:58 | I |
19. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XIX. Allegretto ‘à trois parties réelles’ in A Major | 3:16 | I |
20. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XX. Allegretto “la ronde de mai” in D Major | 3:13 | I |
21. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XXI. Cantabile in G Major | 3:04 | I |
22. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XXII. Tarantelle in A Minor | 1:04 | I |
23. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XXIII. Allegro moderato in A Major | 2:12 | I |
24. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XXIV. Andantino in D Minor | 4:44 | I |
25. | Napoléon Coste | 25 Etudes for Guitar, Op. 38: XXV. Cantabile in B-Flat Major | 4:59 | I |
26. | Napoléon Coste | Grande serenade, Op. 30: I. Largo | 2:25 | I |
27. | Napoléon Coste | Grande serenade, Op. 30: II. Allegro | 0:16 | I |
28. | Napoléon Coste | Grande serenade, Op. 30: III. Vivace | 1:14 | I |
29. | Napoléon Coste | Grande serenade, Op. 30: IV. Andantino. Marche et choeur de pélerins | 4:47 | I |
30. | Napoléon Coste | Grande serenade, Op. 30: V. Bolero | 2:37 | I |
31. | Napoléon Coste | Grande serenade, Op. 30: VI. Andante. Choeur | 0:52 | I |
32. | Napoléon Coste | Grande serenade, Op. 30: VII. Final. Allegro — | 2:03 | I |
33. | Napoléon Coste | Grande serenade, Op. 30: VIII. Allegretto | 0:41 | I |
CD 16 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 60:21 | |||
1. | Francisco Tárrega | Capricho árabe | 4:36 | I |
2. | Francisco Tárrega | La alborada | 1:49 | I |
3. | Francisco Tárrega | Marieta (Mazurka) | 1:54 | I |
4. | Francisco Tárrega | Pavana | 1:43 | I |
5. | Francisco Tárrega | María | 1:17 | I |
6. | Francisco Tárrega | Isabel (Waltz) | 1:14 | I |
7. | Francisco Tárrega | La cartagenera | 4:45 | I |
8. | Francisco Tárrega | Adelita in E Minor (Mazurka) | 1:29 | I |
9. | Francisco Tárrega | Rosita in D Major (Polka) | 1:45 | I |
10. | Francisco Tárrega | El columpio | 2:19 | I |
11. | Francisco Tárrega | Danza mora | 1:57 | I |
12. | Francisco Tárrega | Gran vals in A Major | 2:35 | I |
13. | Francisco Tárrega | Malagueña fácil | 2:45 | I |
14. | Francisco Tárrega | Recuerdos de la Alhambra | 5:28 | I |
15. | Francisco Tárrega | Mazurka in G Major | 2:28 | I |
16. | Francisco Tárrega | Las dos hermanas (Waltz) | 3:31 | I |
17. | Francisco Tárrega | Minueto in E Major | 1:25 | I |
18. | Francisco Tárrega | Paquito (Waltz) | 1:56 | I |
19. | Francisco Tárrega | Pepita (Polka) | 1:17 | I |
20. | Francisco Tárrega | Danza odalisca | 2:38 | I |
21. | Francisco Tárrega | Sueño (Mazurka) | 1:26 | I |
22. | Francisco Tárrega | Vals in D Major | 2:00 | I |
23. | Francisco Tárrega | Variaciones sobre el carnaval de Venecia de Paganini | 8:04 | I |
CD 17 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 57:42 | |||
1. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 6, Aragón. (Fantasía) | 5:36 | I |
2. | Isaac Albéniz | Cantos de España, Op. 232: No. 2, Orientale | 4:38 | I |
3. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 3, Sevilla (Sevillanas) | 4:53 | I |
4. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 1, Granada (Serenata) | 5:18 | I |
5. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 4, Cádiz (Canción) | 4:42 | I |
6. | Isaac Albéniz | Cantos de España, Op. 232: No. 4, Córdoba | 6:32 | I |
7. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 8, Cuba (Nocturno) | 5:10 | I |
8. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) | 7:12 | I |
9. | Isaac Albéniz | Cantos de España, Op. 232: No. 5, Castilla (Seguidilla) | 3:46 | I |
10. | Isaac Albéniz | Suite Española No. 1, Op. 47: No. 2, Cataluña (Courante) | 4:13 | I |
11. | Isaac Albéniz | Cantos de España, Op. 232: No. 3, sous le palmier | 5:42 | I |
CD 18 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 42:19 | |||
1. | Joaquín Turina | Fandanguillo, Op. 36 | 4:01 | I |
2. | Joaquín Turina | Sevillana, Op. 29 | 2:52 | I |
3. | Joaquín Turina | Ráfaga, Op. 53 | 4:09 | I |
4. | Joaquín Turina | Homenaje a Tárrega, Op. 69: I. Garrotín | 5:38 | I |
5. | Joaquín Turina | Homenaje a Tárrega, Op. 69: II. Soleares | 2:23 | I |
6. | Joaquín Turina | Sonata, Op. 61: I. Allegro | 2:41 | I |
7. | Joaquín Turina | Sonata, Op. 61: II. Andante | 6:23 | I |
8. | Joaquín Turina | Sonata, Op. 61: III. Allegro vivo | 2:01 | I |
9. | Manuel de Falla | Homenaje (pièce de guitare écrite pour le Tombeau de Claude Debussy) | 3:17 | I |
10. | Joaquín Rodrigo | Invocación y danza (Homage to Manuel de Falla) | 8:54 | I |
CD 19 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 62:51 | |||
1. | Miguell Llobet | Leonesa | 1:54 | I |
2. | Miguell Llobet | Cançó de lladre | 1:20 | I |
3. | Miguell Llobet | El noi de la mare | 1:45 | I |
4. | Miguell Llobet | El mestre | 2:30 | I |
5. | Miguell Llobet | Lo rossinyol | 0:57 | I |
6. | Miguell Llobet | L’Hereu riera | 0:45 | I |
7. | Miguell Llobet | El testament d’Amelia | 1:37 | I |
8. | Miguell Llobet | Lo fill del rei | 1:12 | I |
9. | Miguell Llobet | La pastoreta | 1:18 | I |
10. | Miguell Llobet | Plany | 1:37 | I |
11. | Miguell Llobet | La filadora | 1:07 | I |
12. | Miguell Llobet | La filla d’el marxant | 2:19 | I |
13. | Miguell Llobet | La nit de nadal | 1:09 | I |
14. | Miguell Llobet | La preço de Lleida | 1:32 | I |
15. | Miguell Llobet | Scherzo-Waltz | 3:30 | I |
16. | Miguell Llobet | Mazurka por Federico Bufaletti | 4:41 | I |
17. | Miguell Llobet | Romance in C Major | 5:16 | I |
18. | Miguell Llobet | Variations on a Theme of Sor: Theme | 0:34 | I |
19. | Miguell Llobet | Variations on a Theme of Sor: Variation I | I | |
20. | Miguell Llobet | Variations on a Theme of Sor: Variation II | I | |
21. | Miguell Llobet | Variations on a Theme of Sor: Variation III | I | |
22. | Miguell Llobet | Variations on a Theme of Sor: Variation IV | I | |
23. | Miguell Llobet | Variations on a Theme of Sor: Variation V | I | |
24. | Miguell Llobet | Variations on a Theme of Sor: Variation VI | 3:02 | I |
25. | Miguell Llobet | Variations on a Theme of Sor: Intermezzo | 0:56 | I |
26. | Miguell Llobet | Variations on a Theme of Sor: Variation VII | I | |
27. | Miguell Llobet | Variations on a Theme of Sor: Variation VIII | I | |
28. | Miguell Llobet | Variations on a Theme of Sor: Variation IX | I | |
29. | Miguell Llobet | Variations on a Theme of Sor: Variation X | 2:47 | I |
30. | Miguell Llobet | Mazurka | 3:28 | I |
31. | Miguell Llobet | Prelude (à Rosita Lloret) | 0:47 | I |
32. | Miguell Llobet | Prelude in A Major | 1:49 | I |
33. | Miguell Llobet | Prelude in D Major (à Maria Luisa Anido) | 0:14 | I |
34. | Miguell Llobet | Original prelude | 0:40 | I |
35. | Miguell Llobet | Prelude in E Major | 1:09 | I |
36. | Miguell Llobet | Argentinian Folk Song in E Minor | 1:23 | I |
37. | Miguell Llobet | Argentinian Folk Song in F-Sharp Minor | 1:56 | I |
38. | Miguell Llobet | Argentinian Folk Song in D Major | 2:02 | I |
39. | Miguell Llobet | Étude-Caprice | 1:44 | I |
40. | Miguell Llobet | Étude in E Major | 1:45 | I |
41. | Miguell Llobet | Respuesta | 4:06 | I |
CD 20 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 55:31 | |||
1. | Federico Moreno Torroba | Sonatina: I. Allegretto | 3:56 | I |
2. | Federico Moreno Torroba | Sonatina: II. Andante | 3:53 | I |
3. | Federico Moreno Torroba | Sonatina: III. Allegro | 4:07 | I |
4. | Federico Moreno Torroba | Nana | 1:48 | I |
5. | Federico Moreno Torroba | Las puertas de Madrid: Puerta de Toledo | 2:05 | I |
6. | Federico Moreno Torroba | Las puertas de Madrid: Puerta de Alcalá | 3:41 | I |
7. | Federico Moreno Torroba | Las puertas de Madrid: Puerta de San Vicente | 2:00 | I |
8. | Federico Moreno Torroba | Las puertas de Madrid: Puerta de Hierro | 1:36 | I |
9. | Federico Moreno Torroba | Las puertas de Madrid: Puerta de Moros | 3:20 | I |
10. | Federico Moreno Torroba | Las puertas de Madrid: Puerta cerrada | 3:42 | I |
11. | Federico Moreno Torroba | Las puertas de Madrid: Puerta del Ángel | 1:38 | I |
12. | Federico Moreno Torroba | Nostalgia | 2:19 | I |
13. | Federico Moreno Torroba | Improvisando | 3:50 | I |
14. | Federico Moreno Torroba | Sonatina y variación | 3:06 | I |
15. | Federico Moreno Torroba | Bailando un fandango charro | 1:42 | I |
16. | Federico Moreno Torroba | Remanso | 2:47 | I |
17. | Federico Moreno Torroba | La siege | 1:00 | I |
18. | Federico Moreno Torroba | Fiesta en el pueblo | 1:32 | I |
19. | Federico Moreno Torroba | Amanecer | 1:32 | I |
20. | Federico Moreno Torroba | La boda | 2:26 | I |
21. | Federico Moreno Torroba | Camino del Molino | 2:06 | I |
22. | Federico Moreno Torroba | Juegos infantiles | 1:25 | I |
CD 21 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 74:19 | |||
1. | Guillermo Uribe Holguín | Pequeña Suite No. 1, Op. 80: I. Preludio | 2:42 | I |
2. | Guillermo Uribe Holguín | Pequeña Suite No. 1, Op. 80: II. Andante expresivo | 4:29 | I |
3. | Guillermo Uribe Holguín | Pequeña Suite No. 1, Op. 80: III. Allegro | 1:52 | I |
4. | Gaspar Cassadó | Canción de Leonardo | 3:35 | I |
5. | Gaspar Cassadó | Sardana chigiana | 3:55 | I |
6. | Federico Moreno Torroba | Sonata fantasia: I. Lento – Allegretto | 10:54 | I |
7. | Federico Moreno Torroba | Sonata fantasia: II. Allegretto | 1:26 | I |
8. | Federico Moreno Torroba | Sonata fantasia: III. Allegro – Allegro moderato – Andante – Allegro | 5:19 | I |
9. | Frederic Mompou | Cançó i dans,a No. 10: Cançó. Larghetto molto cantabile | 2:35 | I |
10. | Frederic Mompou | Cançó i dans,a No. 10: Dansa. Amabile | 1:21 | I |
11. | Frederic Mompou | Suite compostelana: I. Preludio | 3:54 | I |
12. | Frederic Mompou | Suite compostelana: II. Coral | 4:18 | I |
13. | Frederic Mompou | Suite compostelana: III. Cuna | 5:32 | I |
14. | Frederic Mompou | Suite compostelana: IV. Recitativo | 4:36 | I |
15. | Frederic Mompou | Suite compostelana: V. Canción | 2:56 | I |
16. | Frederic Mompou | Suite compostelana: VI. Muñeira | 2:49 | I |
17. | Gaspar Cassadó | Preámbulo y Sardana: I. Preámbulo | 1:15 | I |
18. | Gaspar Cassadó | Preámbulo y Sardana: II. Sardana | 3:28 | I |
19. | Gaspar Cassadó | Leyenda Catalana | 5:14 | I |
20. | Gaspar Cassadó | Dos cantos populares finlandeses | 2:09 | I |
CD 22 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 66:33 | |||
1. | Agustín Barrios Mangoré | A mi madre | 7:18 | I |
2. | Agustín Barrios Mangoré | Abrí la puerta mi china | 3:43 | I |
3. | Agustín Barrios Mangoré | Aconquija | 4:14 | I |
4. | Agustín Barrios Mangoré | Aire de Zamba | 2:45 | I |
5. | Agustín Barrios Mangoré | Aire popular paraguayo | 4:34 | I |
6. | Agustín Barrios Mangoré | Aire sureño | 1:39 | I |
7. | Agustín Barrios Mangoré | Aires andaluces | 8:22 | I |
8. | Agustín Barrios Mangoré | Aires criollos | 4:09 | I |
9. | Agustín Barrios Mangoré | Aires mudéjares | 0:33 | I |
10. | Agustín Barrios Mangoré | Allegro sinfónico | 2:51 | I |
11. | Agustín Barrios Mangoré | Altair | 3:00 | I |
12. | Agustín Barrios Mangoré | Arabescos | 1:58 | I |
13. | Agustín Barrios Mangoré | Armonías de América | 4:09 | I |
14. | Agustín Barrios Mangoré | Bicho feo | 3:08 | I |
15. | Agustín Barrios Mangoré | Canción de la hilandera | 4:22 | I |
16. | Agustín Barrios Mangoré | Capricho español | 3:55 | I |
17. | Agustín Barrios Mangoré | Chôro da saudade | 5:53 | I |
CD 23 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 73:29 | |||
1. | Astor Piazzolla | The Four Seasons of Buenos Aires: I. Primavera porteña | 7:23 | I |
2. | Astor Piazzolla | The Four Seasons of Buenos Aires: II. Invierno porteño | 4:33 | I |
3. | Astor Piazzolla | The Four Seasons of Buenos Aires: III. Otoño porteño | 4:52 | I |
4. | Astor Piazzolla | The Four Seasons of Buenos Aires: IV. Verano porteño | 6:59 | I |
5. | Astor Piazzolla | The Five Tango Sensations: I. Asleep | 5:05 | I |
6. | Astor Piazzolla | The Five Tango Sensations: II. Loving | 5:50 | I |
7. | Astor Piazzolla | The Five Tango Sensations: III. Anxiety | 4:51 | I |
8. | Astor Piazzolla | The Five Tango Sensations: IV. Despertar | 6:38 | I |
9. | Astor Piazzolla | The Five Tango Sensations: V. Fear | 4:14 | I |
10. | Astor Piazzolla | Concerto for Bandoneón, Guitar & String Orchestra “Hommage à Liège”: I. Introduction | 4:33 | I |
11. | Astor Piazzolla | Concerto for Bandoneón, Guitar & String Orchestra “Hommage à Liège”: II. Milonga | 5:52 | I |
12. | Astor Piazzolla | Concerto for Bandoneón, Guitar & String Orchestra “Hommage à Liège”: III. Tribute to Liège. Tango | 7:10 | I |
13. | Astor Piazzolla | Ave Maria | 5:29 | I |
CD 24 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 60:09 | |||
1. | Manuel María Ponce | Sonatina meridional: I. Campo. Allegretto | 4:13 | I |
2. | Manuel María Ponce | Sonatina meridional: II. Copla. Andante | 2:16 | I |
3. | Manuel María Ponce | Sonatina meridional: III. Fiesta. Allegro con brio | 2:17 | I |
4. | Manuel María Ponce | Sonata III: I. Allegro moderato | 6:48 | I |
5. | Manuel María Ponce | Sonata III: II. Canción. Andante | 3:11 | I |
6. | Manuel María Ponce | Sonata III: III. Allegro non troppo | 6:03 | I |
7. | Manuel María Ponce | Sonata mexicana: I. Allegro moderato | 3:34 | I |
8. | Manuel María Ponce | Sonata mexicana: II. Andantino affettuoso | 4:09 | I |
9. | Manuel María Ponce | Sonata mexicana: III. Allegretto in tempo di serenata | 1:34 | I |
10. | Manuel María Ponce | Sonata mexicana: IV. Allegretto, un poco vivace | 3:20 | I |
11. | Manuel María Ponce | 24 Preludios: No. 1 in C Major | 1:26 | I |
12. | Manuel María Ponce | 24 Preludios: No. 2 in A Minor | 0:33 | I |
13. | Manuel María Ponce | 24 Preludios: No. 3 in G Major | 0:47 | I |
14. | Manuel María Ponce | 24 Preludios: No. 4 in E Minor | 0:22 | I |
15. | Manuel María Ponce | 24 Preludios: No. 5 in D Major | 0:30 | I |
16. | Manuel María Ponce | 24 Preludios: No. 6 in B Minor | 0:42 | I |
17. | Manuel María Ponce | 24 Preludios: No. 7 in A Major | 0:45 | I |
18. | Manuel María Ponce | 24 Preludios: No. 8 in F-Sharp Minor | 1:34 | I |
19. | Manuel María Ponce | 24 Preludios: No. 9 in E Major | 0:40 | I |
20. | Manuel María Ponce | 24 Preludios: No. 10 in C-Sharp Minor | 1:17 | I |
21. | Manuel María Ponce | 24 Preludios: No. 11 in B Major | 0:46 | I |
22. | Manuel María Ponce | 24 Preludios: No. 12 in G-Sharp Minor | 0:55 | I |
23. | Manuel María Ponce | 24 Preludios: No. 13 in F-Sharp Major | 1:22 | I |
24. | Manuel María Ponce | 24 Preludios: No. 14 in D-Sharp Minor | 1:00 | I |
25. | Manuel María Ponce | 24 Preludios: No. 15 in D-Flat Major | 1:12 | I |
26. | Manuel María Ponce | 24 Preludios: No. 16 in B-Flat Minor | 0:42 | I |
27. | Manuel María Ponce | 24 Preludios: No. 17 in A-Flat Major | 0:51 | I |
28. | Manuel María Ponce | 24 Preludios: No. 18 in F Minor | 1:18 | I |
29. | Manuel María Ponce | 24 Preludios: No. 19 in E-Flat Major | 0:55 | I |
30. | Manuel María Ponce | 24 Preludios: No. 20 in C Minor | 0:54 | I |
31. | Manuel María Ponce | 24 Preludios: No. 21 in B-Flat Major | 0:56 | I |
32. | Manuel María Ponce | 24 Preludios: No. 22 in G Minor | 0:41 | I |
33. | Manuel María Ponce | 24 Preludios: No. 23 in F Major | 1:00 | I |
34. | Manuel María Ponce | 24 Preludios: No. 24 in D Minor | 1:36 | I |
CD 25 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 55:31 | |||
1. | João Pernambuco | Sons de Carrilhões | 4:02 | I |
2. | Alberto Nepomuceno | Suite Antiga, Op. 11: III. Aria | 4:21 | I |
3. | Ernesto Nazareth | Odeon, Op. 146 | 2:56 | I |
4. | Garoto | Desvairada | 3:26 | I |
5. | Paulo Bellinati | Modinha | 4:16 | I |
6. | Rafael Altro | Homenagem | 3:54 | I |
7. | Leo Brouwer | Sonata del caminante: Vision de la Amazônia – El Gran Sertão – Danza Festiva – Toccata Nordestina | 17:48 | I |
8. | Garoto | Esperança | 3:46 | I |
9. | Luis Carlos Barbieri | A Santa ceia segundo athayde | 4:05 | I |
10. | Egberto Gismonti | Dança das cabeças | 6:57 | I |
CD 26 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 55:11 | |||
1. | Manuel María Ponce | Sonata mexicana: I. Allegro moderato | 4:26 | I |
2. | Manuel María Ponce | Sonata Mexicana: II. Andantino Affettuoso | 3:57 | I |
3. | Manuel María Ponce | Sonata mexicana: III. Allegretto in tempo di serenata | 1:58 | I |
4. | Manuel María Ponce | Sonata mexicana: IV. Allegretto, un poco vivace | 3:54 | I |
5. | Manuel María Ponce | Tres canciones populares: I. Pajarera | 1:11 | I |
6. | Manuel María Ponce | Tres canciones populares: II. Por tí mi corazón | 3:19 | I |
7. | Manuel María Ponce | Tres canciones populares: III. Valentina | 1:51 | I |
8. | Julio César Oliva | Tres instantes de éxtasis: I. Ensoñación | 3:08 | I |
9. | Julio César Oliva | Tres instantes de éxtasis: II. Una tarde de verano | 4:16 | I |
10. | Julio César Oliva | Tres instantes de éxtasis: III. Encantamiento | 5:01 | I |
11. | Julio César Oliva | Miniaturas sinaloenses: La India bonita | 2:41 | I |
12. | Julio César Oliva | Miniaturas sinaloenses: El quelite | 1:12 | I |
13. | Julio César Oliva | Miniaturas sinaloenses: Por qué lloras | 5:53 | I |
14. | José Angel Ramirez | Fantasía sinaloense | 9:27 | I |
15. | Manuel María Ponce | Estrellita in F Major | 2:57 | I |
CD 27 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 50:25 | |||
1. | Heitor Villa-Lobos | 5 Préludes, W. 419: No. 1 in E Minor | 4:54 | I |
2. | Heitor Villa-Lobos | 5 Préludes, W. 419: No. 2 in E Major | 3:03 | I |
3. | Heitor Villa-Lobos | 5 Préludes, W. 419: No. 3 in A Minor | 6:36 | I |
4. | Heitor Villa-Lobos | 5 Préludes, W. 419: No. 4 in E Minor | 3:48 | I |
5. | Heitor Villa-Lobos | 5 Préludes, W. 419: No. 5 in D Major | 4:20 | I |
6. | Heitor Villa-Lobos | Suite populaire brésilienne, W. 20: I. Mazurka-chôro | 3:25 | I |
7. | Heitor Villa-Lobos | Suite populaire brésilienne, W. 20: II. Schottisch-chôro | 3:14 | I |
8. | Heitor Villa-Lobos | Suite populaire brésilienne, W. 20: III. Valsa-chôro | 5:06 | I |
9. | Heitor Villa-Lobos | Suite populaire brésilienne, W. 20: IV. Gavotta-chôro | 5:06 | I |
10. | Heitor Villa-Lobos | Suite populaire brésilienne, W. 20: V. Chôrinho | 4:14 | I |
11. | Heitor Villa-Lobos | Valsa-concerto No. 2, Op. 8: I. Andante – Valsa brilhante | 4:14 | I |
12. | Heitor Villa-Lobos | Simples in A Minor, W. 40: I. Mazurka | 2:25 | I |
CD 28 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 69:28 | |||
1. | Antonio José Martínez Palacios | Romancillo infantile | 4:08 | I |
2. | Antonio José Martínez Palacios | Sonata para guitarra: I. Allegro moderato | 7:29 | I |
3. | Antonio José Martínez Palacios | Sonata para guitarra: II. Minuetto | 4:41 | I |
4. | Antonio José Martínez Palacios | Sonata para guitarra: III. Pavana triste | 5:57 | I |
5. | Antonio José Martínez Palacios | Sonata para guitarra: IV. Final | 5:03 | I |
6. | Antonio Lauro | Cuatro valses venezolanos: I. Tatiana | 1:06 | I |
7. | Antonio Lauro | Cuatro valses venezolanos: II. Andreina | 1:06 | I |
8. | Antonio Lauro | Cuatro valses venezolanos: III. Natalia | 1:38 | I |
9. | Antonio Lauro | Cuatro valses venezolanos: IV. Yacambú | 3:12 | I |
10. | Gentil Montaña | Suite colombiana No. 4: I. Pasillo | 4:29 | I |
11. | Gentil Montaña | Suite colombiana No. 4: II. Danza | 6:24 | I |
12. | Gentil Montaña | Suite colombiana No. 4: III. Bambuco | 4:41 | I |
13. | Gentil Montaña | Suite colombiana No. 4: IV. Porro | 4:43 | I |
14. | Alberto Ginastera | Guitar Sonata, Op. 47: I. Esordio | 3:47 | I |
15. | Alberto Ginastera | Guitar Sonata, Op. 47: II. Scherzo | 2:46 | I |
16. | Alberto Ginastera | Guitar Sonata, Op. 47: III. Canto | 3:21 | I |
17. | Alberto Ginastera | Guitar Sonata, Op. 47: IV. Finale | 2:07 | I |
18. | Unbekannt | Traditional Korean Folk Song: About 500 Years | 2:50 | I |
CD 29 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 53:30 | |||
1. | Máximo Diego Pujol | Historias sin palabras: El destierro del jerarca | 4:05 | I |
2. | Máximo Diego Pujol | Historias sin palabras: La rosa eternal | 2:58 | I |
3. | Máximo Diego Pujol | Historias sin palabras: Rojas rodillas muertas | 3:24 | I |
4. | Máximo Diego Pujol | Historias sin palabras: Una senil ilusión | 3:13 | I |
5. | Máximo Diego Pujol | Historias sin palabras: Los sueños reales son | 4:32 | I |
6. | Máximo Diego Pujol | Historias sin palabras: El último viaje | 3:53 | I |
7. | Máximo Diego Pujol | Historias sin palabras: Flor de otoño | 3:28 | I |
8. | Máximo Diego Pujol | Historias sin palabras: Paseo nocturne | 2:51 | I |
9. | Máximo Diego Pujol | Historias sin palabras: Vendaval de pavor | 2:55 | I |
10. | Máximo Diego Pujol | Historias sin palabras: El destino del rigor | 2:45 | I |
11. | Máximo Diego Pujol | Historias sin palabras: Juego final | 3:14 | I |
12. | Máximo Diego Pujol | Historias sin palabras: Muerte en primavera | 6:41 | I |
13. | Máximo Diego Pujol | Color sepia | 5:04 | I |
14. | Máximo Diego Pujol | Torino | 4:27 | I |
CD 30 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 48:05 | |||
1. | Leo Brouwer | Estudios sencillos: I. Movido | 0:52 | I |
2. | Leo Brouwer | Estudios sencillos: II. Coral. Lento | 1:09 | I |
3. | Leo Brouwer | Estudios sencillos: III. Rapido | 0:22 | I |
4. | Leo Brouwer | Estudios sencillos: IV. Comodo. Allegretto | 0:36 | I |
5. | Leo Brouwer | Estudios sencillos: V. Montuno. Allegretto | 0:44 | I |
6. | Leo Brouwer | Estudios sencillos: VI. Lo más rápido possible | 1:05 | I |
7. | Leo Brouwer | Estudios sencillos: VII. Lo más rápido possible | 0:33 | I |
8. | Leo Brouwer | Estudios sencillos: VIII. Tranquillo | 0:57 | I |
9. | Leo Brouwer | Estudios sencillos: IX. Scherzo | 0:38 | I |
10. | Leo Brouwer | Estudios sencillos: X. — | 0:42 | I |
11. | Leo Brouwer | Estudios sencillos: XI. Allegretto | 1:44 | I |
12. | Leo Brouwer | Estudios sencillos: XII. Tranquillo. Moderato | 0:57 | I |
13. | Leo Brouwer | Estudios sencillos: XIII. Movido | 1:18 | I |
14. | Leo Brouwer | Estudios sencillos: XIV. Allegro | 1:17 | I |
15. | Leo Brouwer | Estudios sencillos: XV. Sarabande | 2:49 | I |
16. | Leo Brouwer | Estudios sencillos: XVI. Grave | 1:32 | I |
17. | Leo Brouwer | Estudios sencillos: XVII. Moderato | 2:46 | I |
18. | Leo Brouwer | Estudios sencillos: XVIII. Moderato quasi lento | 2:40 | I |
19. | Leo Brouwer | Estudios sencillos: XIX. Movido. Allegretto | 1:11 | I |
20. | Leo Brouwer | Estudios sencillos: XX. Movido. Rápido | 1:37 | I |
21. | Leo Brouwer | Nuevos estudios sencillos: I. Omaggio a Debussy. Tempo di giga | 1:00 | I |
22. | Leo Brouwer | Nuevos estudios sencillos: II. Omaggio a Mangoré. Vivace | 0:48 | I |
23. | Leo Brouwer | Nuevos estudios sencillos: III. Omaggio a Caturla. Moderato assai | 1:22 | I |
24. | Leo Brouwer | Nuevos estudios sencillos: IV. Omaggio a Prokofiev. Vivace | 0:43 | I |
25. | Leo Brouwer | Nuevos estudios sencillos: V. Omaggio a Tárrega. Comodo | 1:33 | I |
26. | Leo Brouwer | Nuevos estudios sencillos: VI. Omaggio a Sor. Tempo libero | 1:07 | I |
27. | Leo Brouwer | Nuevos estudios sencillos: VII. Omaggio a Piazzolla. Allegro | 1:36 | I |
28. | Leo Brouwer | Nuevos estudios sencillos: VIII. Omaggio a Villa-Lobos. Tranquillo | 2:15 | I |
29. | Leo Brouwer | Nuevos estudios sencillos: IX. Omaggio a Szymanowski. Lento assai | 1:34 | I |
30. | Leo Brouwer | Nuevos estudios sencillos: X. Omaggio a Stravinsky. Toccata | 1:02 | I |
31. | Leo Brouwer | Preludios epigramáticos: I. Desde que al alba quiso ser alba, toda eres madre | 1:25 | I |
32. | Leo Brouwer | Preludios epigramáticos: II. Tristes hombres si no mueren de amores | 2:15 | I |
33. | Leo Brouwer | Preludios epigramáticos: III. Alrededor de tu piel, ato y desato la mia | 1:50 | I |
34. | Leo Brouwer | Preludios epigramáticos: IV. Ríe, que todo ríe: que todo es madre leve | 1:23 | I |
35. | Leo Brouwer | Preludios epigramáticos: V. Me cogiste el corazón y hoy precipitas su vuelo | 1:32 | I |
36. | Leo Brouwer | Preludios epigramáticos: VI. Llegó con tres heridas. la del amor, la de la muerte, la de la vida | 1:11 | I |
CD 31 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:19 | |||
1. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: I. Prelude and Fugue No. 1 in G Minor | 4:50 | I |
2. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: II. Prelude and Fugue No. 2 in D Major | 3:57 | I |
3. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: III. Prelude and Fugue No. 3 in A Minor | 4:57 | I |
4. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: IV. Prelude and Fugue No. 4 in E Major | 4:35 | I |
5. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: V. Prelude and Fugue No. 5 in B Minor | 4:43 | I |
6. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: VI. Prelude and Fugue No. 6 in F-Sharp Major | 3:21 | I |
7. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: VII. Prelude and Fugue No. 7 in C-Sharp Minor | 5:11 | I |
8. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: VIII. Prelude and Fugue No. 8 in A-Flat Major | 4:32 | I |
9. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: IX. Prelude and Fugue No. 9 in E-Flat Minor | 5:28 | I |
10. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: X. Prelude and Fugue No. 10 in B-Flat Major | 4:34 | I |
11. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: XI. Prelude and Fugue No. 11 in F Minor | 6:49 | I |
12. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: XII. Prelude and Fugue No. 12 in C Major | 3:03 | I |
13. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: XIII. Prelude and Fugue No. 13 in G Major | 4:38 | I |
14. | Mario Castelnuovo-Tedesco | Les guitares bien tempérées, Op. 199: XIV. Prelude and Fugue No. 14 in D Minor | 4:41 | I |
CD 32 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 72:22 | |||
1. | Hans Werner Henze | Drei Tentos: I. — | 2:31 | I |
2. | Hans Werner Henze | Drei Tentos: II. — | 1:33 | I |
3. | Hans Werner Henze | Drei Tentos: III. — | 2:43 | I |
4. | Hans Werner Henze | Royal Winter Music: I. Gloucester | 7:03 | I |
5. | Hans Werner Henze | Royal Winter Music: Ritornello | 1:10 | I |
6. | Hans Werner Henze | Royal Winter Music: II. Romeo And Juliet | 3:47 | I |
7. | Hans Werner Henze | Royal Winter Music: Ritornello | 1:10 | I |
8. | Hans Werner Henze | Royal Winter Music: III. Ariel | 8:04 | I |
9. | Hans Werner Henze | Royal Winter Music: Ritornello | 1:11 | I |
10. | Hans Werner Henze | Royal Winter Music: IV. Ophelia | 3:46 | I |
11. | Hans Werner Henze | Royal Winter Music: Ritornello | 1:11 | I |
12. | Hans Werner Henze | Royal Winter Music: V. Touchstone, Audrey And William | 3:46 | I |
13. | Hans Werner Henze | Royal Winter Music: Ritornello | 1:09 | I |
14. | Hans Werner Henze | Royal Winter Music: VI. Oberon | 9:45 | I |
15. | Hans Werner Henze | Sonata No. 2 On Shakespearean Characters: I. Sir Andrew Aguecheek | 6:41 | I |
16. | Hans Werner Henze | Sonata No. 2 On Shakespearean Characters: II. Bottom’S Dream | 6:53 | I |
17. | Hans Werner Henze | Sonata No. 2 On Shakespearean Characters: III. Mad Lady Macbeth | 9:59 | I |
CD 33 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 54:00 | |||
1. | Claude Bolling | Hispanic Dance | 5:38 | I |
2. | Claude Bolling | Mexicaine | 7:12 | I |
3. | Claude Bolling | Invention | 4:10 | I |
4. | Claude Bolling | Sérénade | 5:19 | I |
5. | Claude Bolling | Rhapsodic | 6:30 | I |
6. | Claude Bolling | Africaine | 4:08 | I |
7. | Claude Bolling | Finale | 5:56 | I |
8. | Claude Bolling | Jazzo brasileiro | 5:28 | I |
9. | Claude Bolling | Baladina | 5:21 | I |
10. | Claude Bolling | Fogoso | 4:18 | I |
CD 34 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 46:41 | |||
1. | Henri Sauguet | Cadence | 3:50 | I |
2. | Henri Sauguet | Trois preludes: I. Prélude à la mélancolie | 3:36 | I |
3. | Henri Sauguet | Trois preludes: II. Prélude au souvenir | 2:44 | I |
4. | Henri Sauguet | Trois preludes: III. Prélude aux gestes | 4:23 | I |
5. | Henri Sauguet | Six pièces faciles: I. Petit air doux | 1:13 | I |
6. | Henri Sauguet | Six pièces faciles: II. Un bout de valse | 1:17 | I |
7. | Henri Sauguet | Six pièces faciles: III. La roue tourney | 1:15 | I |
8. | Henri Sauguet | Six pièces faciles: IV. Le sommeil du pâtre | 1:47 | I |
9. | Henri Sauguet | Six pièces faciles: V. La barque chinoise | 1:27 | I |
10. | Henri Sauguet | Six pièces faciles: VI. Pas à pas | 1:28 | I |
11. | Henri Sauguet | Musique pour Claudel No. 1: I. En forme d’ouverture | 1:01 | I |
12. | Henri Sauguet | Musique pour Claudel No. 1: II. Images | 0:47 | I |
13. | Henri Sauguet | Musique pour Claudel No. 1: III. Le temps qui passe | 2:06 | I |
14. | Henri Sauguet | Musique pour Claudel No. 1: IV. Caquetage | 0:47 | I |
15. | Henri Sauguet | Musique pour Claudel No. 2: I. Cantabile | 1:44 | I |
16. | Henri Sauguet | Musique pour Claudel No. 2: II. Les couleurs. A. Le bleu | 1:20 | I |
17. | Henri Sauguet | Musique pour Claudel No. 2: II. Les couleurs. B. Le rouge | 1:05 | I |
18. | Henri Sauguet | Musique pour Claudel No. 2: II. Les couleurs. C. Le jaune | 0:42 | I |
19. | Henri Sauguet | Musique pour Claudel No. 2: II. Les couleurs. D. Le vert | 1:46 | I |
20. | Henri Sauguet | Musique pour Claudel No. 2: III. Contrastes | 1:35 | I |
21. | Henri Sauguet | Soliloque | 5:24 | I |
22. | Henri Sauguet | Révérence à Johann Sebastian Bach | 5:24 | I |
CD 35 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:52 | |||
1. | Alexandre Tansman | Ballade (Hommage à Chopin) | 8:30 | I |
2. | Alexandre Tansman | Cavatina: I. Preludio | 3:08 | I |
3. | Alexandre Tansman | Cavatina: II. Sarabande | 3:37 | I |
4. | Alexandre Tansman | Cavatina: III. Scherzino | 2:54 | I |
5. | Alexandre Tansman | Cavatina: IV. Barcarole | 3:00 | I |
6. | Alexandre Tansman | Danza pomposa | 2:51 | I |
7. | Alexandre Tansman | Hommage à Chopin: I. Prélude | 2:03 | I |
8. | Alexandre Tansman | Hommage à Chopin: II. Nocturne | 2:07 | I |
9. | Alexandre Tansman | Hommage à Chopin: III. Valse romantique | 3:08 | I |
10. | Alexandre Tansman | Suite in modo polonico: I. Entrée | 1:57 | I |
11. | Alexandre Tansman | Suite in modo polonico: II. Gaillarde | 0:58 | I |
12. | Alexandre Tansman | Suite in modo polonico: III. Kujawiak | 2:18 | I |
13. | Alexandre Tansman | Suite in modo polonico: IV. Tempo di polonaise | 1:30 | I |
14. | Alexandre Tansman | Suite in modo polonico: V. Kolysanka No. 2 | 1:59 | I |
15. | Alexandre Tansman | Suite in modo polonico: VI. Oberek | 2:05 | I |
16. | Alexandre Tansman | Inventions: I. Passepied | 1:56 | I |
17. | Alexandre Tansman | Inventions: II. Sarabande | 2:19 | I |
18. | Alexandre Tansman | Inventions: III. Sicilienne | 2:10 | I |
19. | Alexandre Tansman | Inventions: IV. Toccata à deux voix | 2:25 | I |
20. | Alexandre Tansman | Inventions: V. Aria | 3:17 | I |
21. | Alexandre Tansman | Pièce en forme de Passacaille | 5:44 | I |
22. | Alexandre Tansman | Deux chansons populaires: I. Andante | 2:53 | I |
23. | Alexandre Tansman | Deux chansons populaires: II. Allegretto | 3:03 | I |
CD 36 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 63:15 | |||
1. | Dušan Bogdanović | Sonata No. 1: I. Allegro ritmico | 2:49 | I |
2. | Dušan Bogdanović | Sonata No. 1: II. Adagio rubato | 3:00 | I |
3. | Dušan Bogdanović | Sonata No. 1: III. Moderato, un poco tenebroso | 2:44 | I |
4. | Dušan Bogdanović | Sonata No. 1: IV. Allegro molto | 3:26 | I |
5. | Dušan Bogdanović | Sonata No. 2: I. Allegro deciso e appassionato | 3:47 | I |
6. | Dušan Bogdanović | Sonata No. 2: II. Adagio molto espressivo, poco rubato | 2:19 | I |
7. | Dušan Bogdanović | Sonata No. 2: III. Scherzo malinconico, cantabile con dolcezza | 2:45 | I |
8. | Dušan Bogdanović | Sonata No. 2: IV. Allegro ritmico | 2:53 | I |
9. | Dušan Bogdanović | Raguette No. 2 | 6:25 | I |
10. | Dušan Bogdanović | Cinque pezzi di mare: I. Canzone | 1:20 | I |
11. | Dušan Bogdanović | Cinque pezzi di mare: II. Ricercare | 1:47 | I |
12. | Dušan Bogdanović | Cinque pezzi di mare: III. Valzer | 1:35 | I |
13. | Dušan Bogdanović | Cinque pezzi di mare: IV. Improvvisazione | 0:39 | I |
14. | Dušan Bogdanović | Cinque pezzi di mare: V. Corale | 1:40 | I |
15. | Dušan Bogdanović | Introduction, Passacaglia & Fugue for the Golden Flower: I. Introduction | 2:51 | I |
16. | Dušan Bogdanović | Introduction, Passacaglia & Fugue for the Golden Flower: II. Passacaglia | 6:14 | I |
17. | Dušan Bogdanović | Introduction, Passacaglia & Fugue for the Golden Flower: III. Fugue | 2:14 | I |
18. | Dušan Bogdanović | Quatre bagatelles: I. Moderato | 0:43 | I |
19. | Dušan Bogdanović | Quatre bagatelles: II. Tranquillo | 1:10 | I |
20. | Dušan Bogdanović | Quatre bagatelles: III. Allegro, con violenza | 0:17 | I |
21. | Dušan Bogdanović | Quatre bagatelles: IV. Adagio rubato | 1:29 | I |
22. | Dušan Bogdanović | Polyrhythmic and Polymetric Studies: I. Molto ritmico | 1:46 | I |
23. | Dušan Bogdanović | Polyrhythmic and Polymetric Studies: II. Con meditazione | 3:22 | I |
24. | Dušan Bogdanović | Polyrhythmic and Polymetric Studies: III. Rubato, appassionato | 2:05 | I |
25. | Dušan Bogdanović | Polyrhythmic and Polymetric Studies: IV. Ritmico, cantabile | 1:32 | I |
26. | Dušan Bogdanović | Polyrhythmic and Polymetric Studies: V. Semplice, ben marcato | 2:23 | I |
CD 37 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 62:36 | |||
1. | Giorgio Mirto | 3 Nocturnes: No. 1 | 5:33 | I |
2. | Giorgio Mirto | 3 Nocturnes: No. 2 | 4:53 | I |
3. | Giorgio Mirto | 3 Nocturnes: No. 3 | 5:01 | I |
4. | Livio Torresan | Notturno | 5:02 | I |
5. | Roberto Manca | Notturno No. 3 | 4:14 | I |
6. | Roberto Manca | Ulisse | 2:46 | I |
7. | Rosolino Di Salvo | La notte di Penelope | 5:33 | I |
8. | Giorgio Signorile | Ninna nanna a Donegal | 4:41 | I |
9. | Giorgio Signorile | Le colline di Karen, notturno africano | 4:16 | I |
10. | Giovanni Albini | Corale No. 45, notturno | 5:37 | I |
11. | Máximo Diego Pujol | Nocturno | 4:09 | I |
12. | Ángel E. Lasala | Nocturno | 3:48 | I |
13. | Miklós Rózsa | Valse crépusculaire | 4:25 | I |
14. | Andrew York | Into Dark | 2:38 | I |
CD 38 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 65:31 | |||
1. | Nicola Jappelli | Light Frameworks: I. Moderatamente | 2:43 | I |
2. | Nicola Jappelli | Light Frameworks: II. Vivace e ritmico | 4:04 | I |
3. | Nicola Jappelli | Sectional Drawings | 6:47 | I |
4. | Nicola Jappelli | Sharp Outlines | 8:44 | I |
5. | Nicola Jappelli | Luglio ’95 (Interlude) | 3:15 | I |
6. | Nicola Jappelli | Orizzonte ad est | 7:59 | I |
7. | Nicola Jappelli | Fly Far Away for Two Guitars | 7:17 | I |
8. | Nicola Jappelli | Sei intonazioni: I. Tranquillo | 2:06 | I |
9. | Nicola Jappelli | Sei intonazioni: II. Con slancio | 1:57 | I |
10. | Nicola Jappelli | Sei intonazioni: III. Andante mosso | 3:09 | I |
11. | Nicola Jappelli | Sei intonazioni: IV. Deciso. Mosso e ritmico | 2:58 | I |
12. | Nicola Jappelli | Sei intonazioni: V. Andante calmo ed espressivo | 4:09 | I |
13. | Nicola Jappelli | Sei intonazioni: VI. Adagio | 2:22 | I |
14. | Nicola Jappelli | Overshadow. Nocturne | 8:01 | I |
CD 39 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 72:54 | |||
1. | Prof. Gilbert Biberian | Sonata No. 1: I. Allegretto | 7:27 | I |
2. | Prof. Gilbert Biberian | Sonata No. 1: II. Lento | 5:07 | I |
3. | Prof. Gilbert Biberian | Sonata No. 1: III. Allegretto | 4:12 | I |
4. | Prof. Gilbert Biberian | Sonata No. 2: I. Allegro | 9:06 | I |
5. | Prof. Gilbert Biberian | Sonata No. 2: II. Adagio | 5:20 | I |
6. | Prof. Gilbert Biberian | Sonata No. 2: III. Allegro. Paseos y Fuga | 14:05 | I |
7. | Prof. Gilbert Biberian | Sonata No. 3: — | 9:22 | I |
8. | Prof. Gilbert Biberian | Sonata No. 4: — | 18:15 | I |
CD 40 | ||||
---|---|---|---|---|
Track | Künstler/Band | Titel | Zeit | Besonderheit |
Gesamtzeit | 79:04 | |||
1. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude I | 0:48 | I |
2. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude II | 0:41 | I |
3. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude III | 1:23 | I |
4. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude IV | 1:10 | I |
5. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude V | 1:09 | I |
6. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude VI | 2:31 | I |
7. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude VII | 1:17 | I |
8. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude VIII | 0:52 | I |
9. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude IX | 2:15 | I |
10. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude X | 1:43 | I |
11. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude XI | 1:36 | I |
12. | Boris Wladimirowitsch Assafjew | 12 Preludes: Prelude XII | 3:53 | I |
13. | Henk Badings | 12 Preludes: I. Intrada | 3:24 | I |
14. | Henk Badings | 12 Preludes: II. Interludio | 1:39 | I |
15. | Henk Badings | 12 Preludes: III. Canon | 3:26 | I |
16. | Henk Badings | 12 Preludes: IV. Yaya | 1:32 | I |
17. | Henk Badings | 12 Preludes: V. Tricinium | 3:04 | I |
18. | Henk Badings | 12 Preludes: VI. Utopia | 2:20 | I |
19. | Henk Badings | 12 Preludes: VII. Fuga | 2:43 | I |
20. | Henk Badings | 12 Preludes: VIII. Bicinium | 2:13 | I |
21. | Henk Badings | 12 Preludes: IX. Scherzo | 1:23 | I |
22. | Henk Badings | 12 Preludes: X. Arpeggio | 0:54 | I |
23. | Henk Badings | 12 Preludes: XI. Canzonetta | 2:38 | I |
24. | Henk Badings | 12 Preludes: XII. Rasgueado final | 1:26 | I |
25. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude I. Intrada | 1:41 | I |
26. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude II | 1:54 | I |
27. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude III | 0:45 | I |
28. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude IV | 1:08 | I |
29. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude V | 0:56 | I |
30. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude VI | 2:41 | I |
31. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude VII. Una melodia semplice | 2:30 | I |
32. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude VIII | 1:55 | I |
33. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude IX. Gigue | 1:07 | I |
34. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude X | 1:43 | I |
35. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XI | 0:35 | I |
36. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XII. Cavatina | 1:55 | I |
37. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XIII | 1:03 | I |
38. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XIV | 0:55 | I |
39. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XV | 1:19 | I |
40. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XVI | 0:51 | I |
41. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XVII | 0:47 | I |
42. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XVIII | 1:56 | I |
43. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XIX | 1:27 | I |
44. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XX | 1:25 | I |
45. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XXI | 1:27 | I |
46. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XXII | 1:28 | I |
47. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XXIII | 0:42 | I |
48. | Ferenc Farkas | Exercitium tonale, 24 Preludes: Prelude XXIV | 0:54 | I |
Bedankt euch bei deutschen Abmahn-Anwälten
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