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Divine
Native Love
12", 1990, Remix
| Herstellungsland | Deutschland |
|---|---|
| Veröffentlichungs-Jahr | 1990 |
| Zeit | 16:26 |
| EAN-Nr. | nicht vorhanden |
| Label/Labelcode | k.A. |
| Plattenfirma/Katalog-Nr. | Down Town / 00378-12 |
| Musikrichtung | Pop: Disco, Hi-NRG |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 3 (1 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| 12" | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 16:26 | ||
| 1. | Native Love [Techno Bomb Remix] | 5:14 | |
| 2. | Techno Bomb | 2:40 | |
| 3. | Native Love [Original Version] | 3:40 | |
| 4. | Native Love [Disconet Remix (Inclusive Mystery Breaks)] | 4:52 | |
Infos
[Herstellungsland → Angabe Aufdruck Label]
[Tracklängen → Angabe Aufdruck Label + Backcover]
[Matritze → DT 00378-12A SST (Seite A); DT 00378-12B SST (Seite B)]
[LC → keine Angabe]
------------
Angabe Aufdruck Label:
marketed by MASTERING MUSIC
DOWN TOWN
00378-12
Made in Germany
STEMRA
------------------------------
Backcoverangabe:
Produced by Bobby Orlando
(for "o" Records & Visual Ltd)
Remixed by: Bobby Orlando
Engineered by: Robert
Remix Programmierung by: Richard Buck
Written by : B. Orlando
Special Thanks to ED Smit
Cover design by:
(C) 1990 Mark A. Lashmar
Distributed by:
IMC Indspendent Musk Corpotarion
marketed by MASTERS MUSIK KONSTRUKTEWEG 4 NL + 6074 NJ ROERMOND
dIVINE continues to be managed by Bernhard Jay who remains
his best friend, biggest fan, and protector
Tis record is a dedication to the brothers of Disco everywhere
and to their liberation thereof.
There were no samples used in this recording. All sounds are from
the original instruments as designed by their manufacturers; i.e, Roland
808 sounds were played on a Roland 808 and they were not sampled
from a Roland 808.
The recording equipment used during this production is essentially
inexpensive recording gear. The console, the tape machines,
synthesizers and otherwise which are not the so called "state of the art."
There was no use of digital technology. All sounds are ANALOG.
Any noise or distortion heard in the recording is intentional. Great
care was taken by the producers to "Pin The VU's" at all times thus
causing as much "dirt" as possible. Everything was recorded at 15ips with
NO NOISE REDUCTION. SMPTE time code was avoided. Old fashion
methods of syncing were employed.
"Sampling is the ultimate disrespect of private
property, musical capability
and oppertunity (spelling error on album) for advancement...
Poor James Brown sits in jail while
millions make millions sampling his recordings - sometimes
in their entirety. Though the temptation to
sample is great... make your own music...
If you are really talented it won't make a
difference anyway..."
--------------------------------
keine EAN Nr.
[Tracklängen → Angabe Aufdruck Label + Backcover]
[Matritze → DT 00378-12A SST (Seite A); DT 00378-12B SST (Seite B)]
[LC → keine Angabe]
------------
Angabe Aufdruck Label:
marketed by MASTERING MUSIC
DOWN TOWN
00378-12
Made in Germany
STEMRA
------------------------------
Backcoverangabe:
Produced by Bobby Orlando
(for "o" Records & Visual Ltd)
Remixed by: Bobby Orlando
Engineered by: Robert
Remix Programmierung by: Richard Buck
Written by : B. Orlando
Special Thanks to ED Smit
Cover design by:
(C) 1990 Mark A. Lashmar
Distributed by:
IMC Indspendent Musk Corpotarion
marketed by MASTERS MUSIK KONSTRUKTEWEG 4 NL + 6074 NJ ROERMOND
dIVINE continues to be managed by Bernhard Jay who remains
his best friend, biggest fan, and protector
Tis record is a dedication to the brothers of Disco everywhere
and to their liberation thereof.
There were no samples used in this recording. All sounds are from
the original instruments as designed by their manufacturers; i.e, Roland
808 sounds were played on a Roland 808 and they were not sampled
from a Roland 808.
The recording equipment used during this production is essentially
inexpensive recording gear. The console, the tape machines,
synthesizers and otherwise which are not the so called "state of the art."
There was no use of digital technology. All sounds are ANALOG.
Any noise or distortion heard in the recording is intentional. Great
care was taken by the producers to "Pin The VU's" at all times thus
causing as much "dirt" as possible. Everything was recorded at 15ips with
NO NOISE REDUCTION. SMPTE time code was avoided. Old fashion
methods of syncing were employed.
"Sampling is the ultimate disrespect of private
property, musical capability
and oppertunity (spelling error on album) for advancement...
Poor James Brown sits in jail while
millions make millions sampling his recordings - sometimes
in their entirety. Though the temptation to
sample is great... make your own music...
If you are really talented it won't make a
difference anyway..."
--------------------------------
keine EAN Nr.