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Michael Bublé
It's Time
CD, 2005
| Herstellungsland | Deutschland |
|---|---|
| Veröffentlichungs-Jahr | 2005 |
| Zeit | 49:10 |
| EAN-Nr. | 093624894629 |
| Label/Labelcode | Warner Bros. Records / LC 00392 |
| Plattenfirma/Katalog-Nr. | WEA International Inc. / 9362-48946-2 |
| Musikrichtung | Jazz: Swing |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 70 (50 privat) | 1 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | |||
|---|---|---|---|
| Track | Titel | Zeit | Besonderheit |
| Gesamtzeit | 49:10 | ||
| 1. | Feeling Good | 3:57 | C |
| 2. | A Foggy Day (In London Town) | 2:31 | C |
| 3. | You Don't Know Me | 4:14 | C |
| 4. | Quando, Quando, Quando [Duet With Nelly Furtado] | 4:45 | C |
| 5. | Home | 3:45 | |
| 6. | Can't Buy Me Love | 3:14 | C |
| 7. | The More I See You | 3:47 | |
| 8. | Save The Last Dance For Me | 3:38 | C |
| 9. | Try A Little Tenderness | 4:05 | C |
| 10. | How Sweet It Is | 2:58 | C |
| 11. | Song For You [Feat. Chris Botti] | 4:42 | |
| 12. | I've Got You Under My Skin | 3:40 | C |
| 13. | You And I | 3:54 | C |
Infos
Produced by David Foster and Humberto Gatica
Recorded and mixed by Humberto Gatica at Chartmaker Studios, assisted by Christian Robles and Courtney Blooding
Chartmaker assistant: Jason Larian
Orchestral recording at
- Signet Sound, assisted by Wade Childers, Patrick Spain, Rich Toenes
- Henson recording, assisted by Mark Valentine, Alex Gibson
- Paramount Studios, assisted by Paul Wertheimer, Norm Dlugatch, Dominic Gonzales
- Record Plant, assisted by Anthony Kilhoffer, Jason Carson
- Warner Bros. Sound Stage
Additional engineering by Neil Devor and Alejandro Rodriguez
Additional engineering: Jorge Vivo [Track 8]
Digital audio engineering by Alejandro Rodriguez, Neil Devor, Jorge Vivo, Joe Wohlmuth, Christian Robles
Programming by Neil Devor and Jochem van der Saag
The More I See You [Track 7] produced by Tommy Lipuma
Recorded and mixed by Al Schmitt
Pro Tools engineer: Steve Genewick
Contractor: Shari Sutcliffe
Assistant engineers: Wil Donovan, Bruce Monical and Andy Brohard
Recorded and mixed at Capitol Stiudios, Hollywood, CA
Additional recording at The Village Recorder, West Los Angeles, CA
Mastered by Vlado Meller at Sony Music Studios
Track 1 arranged by Don Sebesky and David Foster
Track 2 arranged by Bill Holman
Tracks 3, 5, 9, 11 arranged by David Foster and Bill Ross
Track 4 arranged by David Foster
Track 6 arranged by John Clayton Jr. and David Foster
Tracks 7, 10 arranged by John Clayton Jr.
Track 8 arranged by David Foster and Jerry Hey
Track 12 orchestrated by Sammy Nestico courtesy of Paul Anka
Track 13 arranged by Jeremy Lubbock and David Foster
Track 1 im Original von Anthony Newley und Lesley Bricusse aus dem Musical "The Roar of the Greasepaint - The Smell of the Crowd" (1964), adaptiert von Nina Simone (aus dem Album "I Put A Spell On You, 1965)
Track 2 im Original von George Gershwin (Musik) und Ira Gershwin (Text) aus dem Film "A Damsel in Distress" (1937), adaptiert von Fred Astaire (1937)
Track 3 im Original von Eddy Arnold (1956)
Track 4 im Original von Emilio Pericoli und Tony Renis (1962), adaptiert von Pat Boone (1962)
Track 6 im Original von The Beatles (1964)
Track 8 im Original von The Drifters (1960)
Track 9 im Original von Ray Noble Orchestra (Vocals: Val Rosing; 1932), u.a. adaptiert von Bing Crosby (1933) und Frank Sinatra (1946)
Track 10 im Original von Marvin Gaye (als "How Sweet It Is (To Be Loved By You)", 1964)
Track 12 im Original von Cole Porter aus dem Film "Zum Tanzen geboren" (1936), u.a. adaptiert von Virginia Bruce (1937) und Frank Sinatra (aus dem Album "Songs For Swingin' Lovers", 1956)
Track 13 im Original von Stevie Wonder (als "You And I (We Can Conquer The World)" aus dem Album "Talking Book", 1972)
Dean Parks: Guitar [Tracks 1, 3, 5, 10], Electric Guitar [Track 9]
Brian Green: Guitar [Tracks 3, 5], Acoustic Guitar [Track 9], Guitar solo [Tracks 3, 5]
Heitor Pereira: Guitar [Track 4]
Anthony Wilson: Guitar [Track 7]
John Chiodini: Guitar [Track 12]
Michael Thompson: Electric Guitar [Track 8], Guitar [Track 11]
Brandon Jenner: Acoustic Guitar [Track 8]
Brian Bromberg: Bass [Tracks 1-5, 9, 11-13]
Robert Hurst: Bass [Track 6]
Christian McBride: Bass [Track 7]
Randy Waldman: Piano [Tracks 1, 2, 9, 12]
Alan Chang: Piano [Track 3]
Tamir Hendelman: Piano [Tracks 6, 7, 10]
David Foster: Keyboards [Tracks 4, 5], Piano [Tracks 8, 11, 13], Bass [Tracks 8, 10]
Bijon Watson, Sal Cracchiolo, Gilbert Castillanos, Kye Palmer: Trumpets [Track 7]
Chris Botti: Trumpet solo [Track 11]
Ira Nepus, George Bohanan, Ryan Porter: Trombone [Track 7]
Bill Reichenbach: Bass Trombone [Track 7]
Dan Higgins: Sax and Flute [Track 4]
Jeff Clayton: Lead Alto Sax [Track 7]
Keith Fiddmont: Alto Sax [Track 7]
Rickey Woodard: Tenor Sax [Track 7], Tenor Sax solo [Track 7]
Charles Owens: Tenor Sax [Track 7]
Lee Callet: Baritone Sax [Track 7]
Vinnie Colaiuta: Drums [Tracks 1, 3-5, 8, 9, 11]
Dave Tull: Drums [Tracks 2, 13]
Frankie Capp: Drums [Track 12]
Jeff Hamilton: Drums [Tracks 6, 7, 10]
Rafael Padilla: Percussion [Tracks 1, 2, 4-6, 8]
Debbie Timuss: Background Vocals [Track 5]
Jochem van der Saag: Organ [Tracks 6, 10], Harmonica [Track 10], Programming and sound design [Tracks 1, 5, 6, 8, 10]
Angaben Aufdruck Label
© ℗ 2005 Reprise Records, a Warner Music Group company
Manufactured in the E.U.
Labelcode: LC 00392
Rechtegesellschaften: GEMA / BIEM
Angaben Backcover
© ℗ 2005 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Manufactured in the E.U.
Marketed by Reprise Records, a Warner Music Group company
143 Records, 3300 Warner Blvd., Burbank, CA 91505-4694
143 Records [Logo] / Reprise Records [Logo]
Labelcode: LC 00322
Art and Design by Mick Haggerty
Photography by Olaf Heine
Wardrobe provided by Hugo Boss
Performance and appearance wardrobe: Hugo Boss
Production coordination: Courtney Blooding, Keith Frangetis
Music contractors: Jules Chaikin, Debbi Datz-Pyle, Ray Brown
Music preparation: Joann Kane Music Services, Julie Eidsvoog and Suzie Katayama
Management: Bruce Allen for Bruce Allen Talent
Bilder:
1. Frontcover
2. Backcover
3. Rückseite Booklet
4. Booklet eiten 6+7 (Center)
5. Ansicht CD
6. Innenring CD
[Herstellungsland: Presswerk-SID-Code]
[Tracklängen: Software]
[Matrix: [Warner-Logo] CD 936248946-2 V01 - Barcode]
[Mastering-SID-Code: IFPI L012 (außen)]
[Presswerk-SID-Code: IFPI 05** (innen)]
[Presswerk: Warner Music Manufacturing Europe GmbH, Alsdorf (→ Presswerk-SID-Code)]
[Booklet: 12-seitig, geklammert; Angaben zur Produktion, Credits MB, Photo-Art: Portraits MB (sw/farbig)]
[Labelcode: LC 00392 (Aufdruck CD-Label); Angabe Backcover abweichend: LC 00322]
Recorded and mixed by Humberto Gatica at Chartmaker Studios, assisted by Christian Robles and Courtney Blooding
Chartmaker assistant: Jason Larian
Orchestral recording at
- Signet Sound, assisted by Wade Childers, Patrick Spain, Rich Toenes
- Henson recording, assisted by Mark Valentine, Alex Gibson
- Paramount Studios, assisted by Paul Wertheimer, Norm Dlugatch, Dominic Gonzales
- Record Plant, assisted by Anthony Kilhoffer, Jason Carson
- Warner Bros. Sound Stage
Additional engineering by Neil Devor and Alejandro Rodriguez
Additional engineering: Jorge Vivo [Track 8]
Digital audio engineering by Alejandro Rodriguez, Neil Devor, Jorge Vivo, Joe Wohlmuth, Christian Robles
Programming by Neil Devor and Jochem van der Saag
The More I See You [Track 7] produced by Tommy Lipuma
Recorded and mixed by Al Schmitt
Pro Tools engineer: Steve Genewick
Contractor: Shari Sutcliffe
Assistant engineers: Wil Donovan, Bruce Monical and Andy Brohard
Recorded and mixed at Capitol Stiudios, Hollywood, CA
Additional recording at The Village Recorder, West Los Angeles, CA
Mastered by Vlado Meller at Sony Music Studios
Track 1 arranged by Don Sebesky and David Foster
Track 2 arranged by Bill Holman
Tracks 3, 5, 9, 11 arranged by David Foster and Bill Ross
Track 4 arranged by David Foster
Track 6 arranged by John Clayton Jr. and David Foster
Tracks 7, 10 arranged by John Clayton Jr.
Track 8 arranged by David Foster and Jerry Hey
Track 12 orchestrated by Sammy Nestico courtesy of Paul Anka
Track 13 arranged by Jeremy Lubbock and David Foster
Track 1 im Original von Anthony Newley und Lesley Bricusse aus dem Musical "The Roar of the Greasepaint - The Smell of the Crowd" (1964), adaptiert von Nina Simone (aus dem Album "I Put A Spell On You, 1965)
Track 2 im Original von George Gershwin (Musik) und Ira Gershwin (Text) aus dem Film "A Damsel in Distress" (1937), adaptiert von Fred Astaire (1937)
Track 3 im Original von Eddy Arnold (1956)
Track 4 im Original von Emilio Pericoli und Tony Renis (1962), adaptiert von Pat Boone (1962)
Track 6 im Original von The Beatles (1964)
Track 8 im Original von The Drifters (1960)
Track 9 im Original von Ray Noble Orchestra (Vocals: Val Rosing; 1932), u.a. adaptiert von Bing Crosby (1933) und Frank Sinatra (1946)
Track 10 im Original von Marvin Gaye (als "How Sweet It Is (To Be Loved By You)", 1964)
Track 12 im Original von Cole Porter aus dem Film "Zum Tanzen geboren" (1936), u.a. adaptiert von Virginia Bruce (1937) und Frank Sinatra (aus dem Album "Songs For Swingin' Lovers", 1956)
Track 13 im Original von Stevie Wonder (als "You And I (We Can Conquer The World)" aus dem Album "Talking Book", 1972)
Dean Parks: Guitar [Tracks 1, 3, 5, 10], Electric Guitar [Track 9]
Brian Green: Guitar [Tracks 3, 5], Acoustic Guitar [Track 9], Guitar solo [Tracks 3, 5]
Heitor Pereira: Guitar [Track 4]
Anthony Wilson: Guitar [Track 7]
John Chiodini: Guitar [Track 12]
Michael Thompson: Electric Guitar [Track 8], Guitar [Track 11]
Brandon Jenner: Acoustic Guitar [Track 8]
Brian Bromberg: Bass [Tracks 1-5, 9, 11-13]
Robert Hurst: Bass [Track 6]
Christian McBride: Bass [Track 7]
Randy Waldman: Piano [Tracks 1, 2, 9, 12]
Alan Chang: Piano [Track 3]
Tamir Hendelman: Piano [Tracks 6, 7, 10]
David Foster: Keyboards [Tracks 4, 5], Piano [Tracks 8, 11, 13], Bass [Tracks 8, 10]
Bijon Watson, Sal Cracchiolo, Gilbert Castillanos, Kye Palmer: Trumpets [Track 7]
Chris Botti: Trumpet solo [Track 11]
Ira Nepus, George Bohanan, Ryan Porter: Trombone [Track 7]
Bill Reichenbach: Bass Trombone [Track 7]
Dan Higgins: Sax and Flute [Track 4]
Jeff Clayton: Lead Alto Sax [Track 7]
Keith Fiddmont: Alto Sax [Track 7]
Rickey Woodard: Tenor Sax [Track 7], Tenor Sax solo [Track 7]
Charles Owens: Tenor Sax [Track 7]
Lee Callet: Baritone Sax [Track 7]
Vinnie Colaiuta: Drums [Tracks 1, 3-5, 8, 9, 11]
Dave Tull: Drums [Tracks 2, 13]
Frankie Capp: Drums [Track 12]
Jeff Hamilton: Drums [Tracks 6, 7, 10]
Rafael Padilla: Percussion [Tracks 1, 2, 4-6, 8]
Debbie Timuss: Background Vocals [Track 5]
Jochem van der Saag: Organ [Tracks 6, 10], Harmonica [Track 10], Programming and sound design [Tracks 1, 5, 6, 8, 10]
Angaben Aufdruck Label
© ℗ 2005 Reprise Records, a Warner Music Group company
Manufactured in the E.U.
Labelcode: LC 00392
Rechtegesellschaften: GEMA / BIEM
Angaben Backcover
© ℗ 2005 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Manufactured in the E.U.
Marketed by Reprise Records, a Warner Music Group company
143 Records, 3300 Warner Blvd., Burbank, CA 91505-4694
143 Records [Logo] / Reprise Records [Logo]
Labelcode: LC 00322
Art and Design by Mick Haggerty
Photography by Olaf Heine
Wardrobe provided by Hugo Boss
Performance and appearance wardrobe: Hugo Boss
Production coordination: Courtney Blooding, Keith Frangetis
Music contractors: Jules Chaikin, Debbi Datz-Pyle, Ray Brown
Music preparation: Joann Kane Music Services, Julie Eidsvoog and Suzie Katayama
Management: Bruce Allen for Bruce Allen Talent
Bilder:
1. Frontcover
2. Backcover
3. Rückseite Booklet
4. Booklet eiten 6+7 (Center)
5. Ansicht CD
6. Innenring CD
[Herstellungsland: Presswerk-SID-Code]
[Tracklängen: Software]
[Matrix: [Warner-Logo] CD 936248946-2 V01 - Barcode]
[Mastering-SID-Code: IFPI L012 (außen)]
[Presswerk-SID-Code: IFPI 05** (innen)]
[Presswerk: Warner Music Manufacturing Europe GmbH, Alsdorf (→ Presswerk-SID-Code)]
[Booklet: 12-seitig, geklammert; Angaben zur Produktion, Credits MB, Photo-Art: Portraits MB (sw/farbig)]
[Labelcode: LC 00392 (Aufdruck CD-Label); Angabe Backcover abweichend: LC 00322]