Clancy Eccles Freedom: The Anthology 67-73
2-CD, 2005, Compilation

Herstellungsland Österreich
Veröffentlichungs-Jahr 2005
Zeit 155:57
EAN-Nr. 5050159929726
Label/Labelcode TROJAN / LC 01344
Plattenfirma/Katalog-Nr. Trojan Records / Sanctuary Records Group Ltd. / TJDDD297
Musikrichtung Reggae: Lovers Rock, Rocksteady/Early Reggae, Roots-Reggae, Skinhead Reggae
Sammlungen Gesucht Flohmarkt
1 0 0

Tracklist

I = Instrumental L = Live B = Bonustrack H = Hidden Track C = Coversong
CD 1
Track Titel Zeit Besonderheit
Gesamtzeit 79:29  
1. What Will Your Mama Say 3:20
2. Stay Loose 3:12
3. Say What You're Saying 2:07
4. C.N. Express (Part One) 2:27
5. Oh My Lover [Feat. Velma Mongal] 3:19
6. Two Of A Kind [Feat. Claudelle Clarke] 2:48
7. I Did It 2:48 I
8. Please Stay 2:28 C
9. My Lonely Days 2:35
10. Easy Snapping 2:42
11. Here Comes The Night 1:47 C
12. Feel The Rhythm 2:32
13. Let Us Be Lovers 2:45
14. Deacon Don 3:04
15. Don't Brag, Don't Boast 2:31
16. Tribute To Drumbago (Last Call) 3:06 I
17. Fattie Fattie 2:42
18. Rodney's History 2:14
19. I Don't Care 2:34
20. John Public (Tom Hark) 2:12 C
21. Shoo-Be-Do 2:43
22. Fire Corner 2:52
23. Mount Zion (We Want To Go Back Home) 3:27
24. The World Needs Loving 2:41
25. Vigarton 2 3:14
26. Skokiaan (Mr Midnight) 2:42 I C
27. Africa 2:38
28. Foolish Fool 3:25 C
29. Don't Mind Me 2:34
CD 2
Track Titel Zeit Besonderheit
Gesamtzeit 76:28  
1. Dance Beat (Real Sweet) 3:09
2. The Ugly One 2:56
3. Freedom 2:39
4. Kingston Town 3:10
5. Holly Holy 3:05 C
6. Ife L'Ayo (The Name Of The Game) 3:29 I
7. Conversation 2:27 C
8. Herbsman Shuffle 2:40
9. Phantom 2:40 I
10. Love Me Tender 2:35
11. Zion We Want To Go 2:36
12. Love That Builds 1:53
13. Credit Squeeze 3:24
14. Live And Learn 2:39
15. Sweet Jamaica 2:56
16. Unite Tonight 2:34
17. Growing Up 2:44 C
18. Hi-De-Ho 2:54 C
19. Rod Of Correction 2:25
20. Tear Drops Will Fall 2:28 C
21. Power For The People 3:04
22. Halelujah, Free At Last 3:08
23. Send Me A Picture 3:03
24. Ganja Free 2:57
25. Stop Yu Criticism 2:12
26. You Can Be Serious 3:36
27. People Can't You See 3:05

Infos

Zusätzliches Genre/Subgenre:
Ska: Jamaican-/Traditional Ska

Compilation contains:

CD:1
Track 1 taken from the What Will Your Mama Say / Darling Don't Do That (7") (1967)
Track 2 taken from the Stay Loose (Promo-7") (1967) by Hemsley Morris
Track 3 taken from the Tears In Your Eyes / Say What You're Saying (Promo-7") (1968) by Eric "Monty" Morris {credited Eric Morris}
Track 4 taken from the C.N Express (7") (1968) by Clancy Eccles Allstars {Released as Clancy's All Stars | credited Clancy, Lee & Sticky}
Tracks 5 & 6; Recorded between 1966 - 1968; First Released on the Feel The Rhythm (Compilation) (1968)
Track 7 taken from the The World Needs Love / I Did It Split-7" by Clancy Eccles & The Dynamites (1969) {credited Winston Wright & The Dynamites}
Track 8 taken from the Please Stay / You Think I'm A Fool Split-7" by Larry Marshall & Hemsley Morris (1968) {credited Larry & Alvin}
Track 9 taken from the Bye Bye Love / My Lonely Days Split-7" by Alton Ellis & Eric "Monty" Morris (1968) {credited Eric Morris}
Track 10 taken from the Feel The Rhythm / Easy Snapping Split-7" by Clancy Eccles & Theophilus Beckford (1968) {credited Theo Beckford}
Track 11 taken from the Here Comes The Night / Don't Look Back (7") (1968) by Busty Brown
Track 12 (also) taken from the Feel The Rhythm / Easy Snapping Split-7" by Clancy Eccles & Theophilus Beckford (1968)
Track 13 taken from the Let Us Be Lovers / Sweet Africa Split-7" by Clancy Eccles & Velma Jones & The Dynamits (1968) {credited Clancy & Velma}
Track 14 taken from the Bangarang Crash / Deacon Don (7") (1968)
Track 15; Recorded ~ 1968; First Released on the Clancy Eccles Presents His Reggae Revue (Compilation) by Various Artists (1990)
Tracks 16 & 17; Fattie Fattie / Tribute To Drumbago Split-7" by Clancy Eccles & The Dynamites (1969)
Track 18 taken from the Rodney's History / Drumbago Split-7" by Carl Dawkins & The Dynamites (1969)
Tracks 19 & 20; I Don't Care / John Public Split-7" by The Dynamites & The Dingle Brothers (1969)
Track 21 taken from the I Don't Care / Shoo-Be-Do Split-7" by The Dynamites & Clancy Eccles (1969)
Track 22 taken from the Fire Corner / Rahtid Split-7" by King Stitt & The Dynamites (1969)
Track 23 taken from the Vigarton 2 / Mount Zion Split-7" by King Stitt & Clancy Eccles (1969)
Track 24 (also) taken from the The World Needs Love / I Did It Split-7" by Clancy Eccles & The Dynamites (1969)
Track 25 (also) taken from the Vigarton 2 / Mount Zion Split-7" by King Stitt & Clancy Eccles (1969) {credited Clancy & Scully}
Track 26 taken from the Who Yea / Mr Midnight Split-7" by King Stitt & The Dynamites (1969) {credited Winston Wright & The Dynamites}
Track 27 taken from the Africa (7") (1970) by Clancy Eccles And The Dynamites {credited Clancy Eccles & Chorus}
Track 28 taken from the Foolish Fool / I Don't Care Split-7" by Cynthia Richards & The Dingle Brothers (1968)
Track 29 taken from the Cynthia Richards & Friends - Foolish Fool (Compilation) by Various Artists (1970) {by Joe Higgs}

Tracks 2, 3, 7, 8, 18, 19, 22 & 25; Written & Produced by Clancy Eccles
Tracks 8 - 11, 18, 20, 28 & 29; Produced by Clancy Eccles

CD:2
Track 1 taken from the Lee Van Cleef / Dance Beat (Real Sweet) (7") (1969) by King Stitt & Clancy Eccles
Track 2 taken from the The Ugly One Split-7" by King Stitt & Clancy Eccles (1969) {credited King Stitt & The Dynamites}
Track 3 taken from Freedom (1969)
Tracks 4 & 5; Holly Holy / Kingston Town Split-7" by The Fabulous Flames & Lord Creator (1970)
Track 6 taken from the Ife L'Ayo (The Name Of The Game) Split-7" by Larry McDonald & Denzil Laing & The Fabulous Flames (1970)
Track 7 taken from the Conversation Split-7" by Cynthia Richards & The Dynamits (1970)
Track 8 taken from the Herbsman Shuffle Split-7" by King Stitt & Andy Capp & Higgs & Wilson (1969)
Track 9 taken from the Angel / Phantom Split-7" by The Piper & The Dynamites (1969)
Track 10 taken from the Black Beret / Love Me Tender Split-7" by Clancy Eccles And The Dynamites & Barry And The Affections (1970)
Track 11 taken from the Zion We Want To Go / Revival Split-7" by The Westmorelites & The Dynamites (1970)
Track 12 by Higgs & Wilson; Previously Unreleased
Track 13 taken from the Stand By Your Man / Credit Squeeze Split-7" by Merlene Webber & Clancy Eccles (1971)
Track 14; Recorded ~ 1967; First Released on the Clancy Eccles Presents His Reggae Revue (Compilation) by Various Artists (1990) {by Barry Wilson}
Tracks 15 & 16; Sweet Jamaica / Unite Tonight (7") (1970)
Track 17; Growing Up (7") (1970) by The Fabulous Flames
Track 18 taken from the Hello Mother / Hi-De-Ho Split-7" by The Dynamites & The Fabulous Flames (1971)
Track 19 taken from the Rod Of Correction (7") (1971)
Track 20 taken from the Tear Drops Will Fall Split-7" by The Silvertones & The Dynamites (1971)
Track 21 taken from the Power For The People Split-7" by Clancy Eccles & The Dynamites (1971)
Track 22 taken from the Halelujah, Free At Last / Sha-Laa Split-7" by Clancy Eccles & The Dynamites (1972)
Track 23; Recorded between 1970 - 1973; First Released on the Clancy Eccles' Reggae Revue At The V.I.P. Club (Comp.) by V.A. (2001) {by Glen Ricketts}
Track 24 taken from the Ganja Free / People Can't You See Split-7" by Clancy Eccles & Third World (1972)
Track 25 taken from the Stop Yu Criticism (7") (1973)
Track 26 taken from the Build It Up / You Can Be Serious (7") (1973) by Tito Simon
Track 27 (also) taken from the Ganja Free / People Can't You See Split-7" by Clancy Eccles & Third World (1972)

Tracks 2, 6, 8 - 12 & 14; Written & Produced by Clancy Eccles
Tracks 4, 5, 7, 17, 18, 20, 23, 26 & 27; Produced by Clancy Eccles

"Please Stay" originally by The Drifters (Written by Burt Bacharach & Bob Hilliard)
"Here Comes The Night" originally by Ben E. King (Written by Mort Shuman & Doc Pomus)
"John Public" {Original: Tom Hark} originally by Elias & His Zig Zag Jive Flutes (Written by Rupert Bopape)
"Foolish Fool" originally by Dee Dee Warwick (Written by Ed Townsend)
"Holly Holy" originally by Neil Diamond
"Conversation" {Original: Conversations} originally by Cilla Black (Written by Roger Cook, Roger Greenaway & Jerry Lordan)
"Teardrops Will Fall" originally by Dicky Doo & The Dont's

"Skokiaan (Mr Midnight)" {Original: Skokiaan}
Composed by August Msarurgwa
Lyrics written by Tom Glazer in 1954.
First Recording (as Instrumental) by The African Dance Band of the Cold Storage Commission Of Southern Rhodesia in 1950.
First Recording (with Lyrics) by The Four Lads in 1954.

"Growing Up" originally by Glen Ricketts
First Recording by The Fabulous Flames in 1970.

"Hi-De-Ho" {Original: That Old Sweet Roll (Hi-De-Ho)} originally by Carole King
First Recording by The City in 1968.

Aufdruck Backcover & Discs: Made in the EU

℗ 2005 The copyright in this compilation is owned by Sanctuary Records Group Ltd., a BMG Company
℗ 2005 Sanctuary Records Group Ltd., a BMG Company

℗ 2005 Trojan Records is a label of Sanctuary Records Group Ltd.

CD:1
=> durch Sid-Codes ermitteltes Herstellungsland: Österreich
[SID-Code CD-Master: IFPI L553 (außen)]
[SID-Code Presswerk: IFPI 94** (innen)]
[Matrix: TJDDD297CD1 13 A00]
[Trackzeiten: Software (foobar2000)]

CD:2
=> durch Sid-Codes ermitteltes Herstellungsland: Österreich
[SID-Code CD-Master: IFPI L558 (außen)]
[SID-Code Presswerk: IFPI 94** (innen)]
[Matrix: TJDDD297CD1 | 18 ***]
[Trackzeiten: Software (foobar2000)]
Passwort vergessen?

Warum sind die Cover-Bilder verpixelt?

Bedankt euch bei deutschen Abmahn-Anwälten

Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.

Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.