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Alternative Nrg
CD, 1994, Live, Digisleeve
| Herstellungsland | Kanada |
|---|---|
| Veröffentlichungs-Jahr | 1994 |
| Zeit | 69:07 |
| EAN-Nr. | 720616144928 |
| Label/Labelcode | k.A. |
| Plattenfirma/Katalog-Nr. | Hollywood Records / HR-61449-2 |
| Musikrichtung | Pop: Pop-Rock |
| Sammlungen | Gesucht | Flohmarkt |
|---|---|---|
| 1 (1 privat) | 0 | 0 |
Tracklist
I = Instrumental
L = Live
B = Bonustrack
H = Hidden Track
C = Coversong
| CD | ||||
|---|---|---|---|---|
| Track | Künstler/Band | Titel | Zeit | Besonderheit |
| Gesamtzeit | 69:07 | |||
| 1. | R.E.M. | Drive | 4:16 | L |
| 2. | James | Ring The Bells | 5:22 | L |
| 3. | U2 | Until The End Of The World | 4:57 | L |
| 4. | Midnight Oil | Tell Me The Truth | 3:27 | L |
| 5. | The Disposable Heroes Of Hiphoprisy | Everyday Life Has Become A Health Risk | 3:08 | L |
| 6. | Soundgarden | New Damage [As Soundgarden/Brian May] | 5:20 | L |
| 7. | The Jesus And Mary Chain | New Kind Of Kick | 2:49 | L |
| 8. | UB40 | Sing Our Own Song | 5:36 | L |
| 9. | Annie Lennox | Cold | 5:04 | L |
| 10. | P.M. Dawn | Looking Through Patient Eyes | 5:20 | L |
| 11. | The Soup Dragons | Sweetmeat | 4:25 | L |
| 12. | EMF | Search And Destroy | 4:04 | L |
| 13. | Yothu Yindi | Yolngu Boy | 4:41 | L |
| 14. | Sonic Youth | Jc | 4:57 | L |
| 15. | Boo-Yaa T.R.I.B.E. | Fam Bam | 2:24 | L |
| 16. | L7 | Shitlist | 3:17 | L |
Infos
Eco-pak, Multi-Panel
release February 4th, 1994
recorded in 14 separate venues across America, using a recording truck that was powered exclusively by "CYRUS," TheGreenpeace Mobile Solar Generator, with the exception of Annie Lennox' "Cold".
1: Venue: The 40 Watt Club, Athens, GA
2: Venue: The Palace, Hollywood, CA
3: Venue: Jack Murphy Stadium, San Diego, CA
5: Venue: The Cow Palace, San Francisco, CA
6: Venue: PIE Studio OD'S, Glen Cove, NY
7: Venue: UC San Diego, San Diego, CA
8: Venue: Irvine Meadows, Irvine, CA
9: rec. in Montreux, Switzerland at MTV's Unplugged
10: Venue: Los Angeles Sports Arena, Los Angeles, CA
11: Venue: The Palace, Hollywood, CA
12: Venue: The Roxy, Los Angeles, CA
13: Venue: Oakland Coliseum, Oakland, CA
14: Venue: Mesa Amphitheater, Phoenix, AZ
15: Venue: Roxbury Club, Los Angeles, CA
16: Venue: Cow Palace, San Francisco, CA
6.: recorded in two separate locations. Brian May's part was in PIE Studio OD'S in Glen Cove, New York; Soundgarden was recorded at Bear Creek Studio in Seattle, Washington. The song was produced by Michael Beinhorn (who also produced Superunknown) and mixed by Chris Cornell in 1993. The main difference between this and the version of "New Damage" that appears on Badmotorfinger (besides the addition of Brian May in the newer version) is that the newer version is much, much heavier -- the opening is huge. May actually has a minimal part; you can only hear him if you really try.
release February 4th, 1994
recorded in 14 separate venues across America, using a recording truck that was powered exclusively by "CYRUS," TheGreenpeace Mobile Solar Generator, with the exception of Annie Lennox' "Cold".
1: Venue: The 40 Watt Club, Athens, GA
2: Venue: The Palace, Hollywood, CA
3: Venue: Jack Murphy Stadium, San Diego, CA
5: Venue: The Cow Palace, San Francisco, CA
6: Venue: PIE Studio OD'S, Glen Cove, NY
7: Venue: UC San Diego, San Diego, CA
8: Venue: Irvine Meadows, Irvine, CA
9: rec. in Montreux, Switzerland at MTV's Unplugged
10: Venue: Los Angeles Sports Arena, Los Angeles, CA
11: Venue: The Palace, Hollywood, CA
12: Venue: The Roxy, Los Angeles, CA
13: Venue: Oakland Coliseum, Oakland, CA
14: Venue: Mesa Amphitheater, Phoenix, AZ
15: Venue: Roxbury Club, Los Angeles, CA
16: Venue: Cow Palace, San Francisco, CA
6.: recorded in two separate locations. Brian May's part was in PIE Studio OD'S in Glen Cove, New York; Soundgarden was recorded at Bear Creek Studio in Seattle, Washington. The song was produced by Michael Beinhorn (who also produced Superunknown) and mixed by Chris Cornell in 1993. The main difference between this and the version of "New Damage" that appears on Badmotorfinger (besides the addition of Brian May in the newer version) is that the newer version is much, much heavier -- the opening is huge. May actually has a minimal part; you can only hear him if you really try.