Menu
# | Cover | Titel | Typ / Besonderheiten | Jahr Album | Jahr Tonträger | Plattenfirma | Katalognummer | Label | Herstellungsland | |
---|---|---|---|---|---|---|---|---|---|---|
Joan Armatrading (GBR) | ||||||||||
101 |
Joan Armatrading
(GBR)
Secret Secrets |
LP | 1985 | 1985 | A&M Records | 395040-1 Y | A&M RECORDS | |||
Louis Armstrong (USA) | ||||||||||
102 |
Louis Armstrong
(USA)
Louis Armstrong Plays W.C. Handy |
LP (Re-Release) | 1954 | 0 | CBS | 52067 | ||||
103 |
Louis Armstrong
(USA)
What A Wonderful World |
LP (Compilation) | 1968 | 1968 | Columbia / EMI | SMC 74 474 | ||||
104 |
Louis Armstrong
(USA)
The Two Greatest Concerts |
4-LP (Live) | 1970 | 1970 | Musidisc | CCV 2504 | ||||
Louis Armstrong & Duke Ellington (USA) | ||||||||||
105 |
Louis Armstrong & Duke Ellington
(USA)
Together For The First Time |
LP (Re-Release, 180 Gramm Vinyl) | 1962 | 2012 | WaxTime Records | 771738 | ||||
P.P. Arnold (USA) | ||||||||||
106 |
P.P. Arnold
(USA)
Kafunta |
LP (Re-Release) | 1968 | 1982 | Out Line Records | OLLP 5225 AS | OutLine. | |||
107 |
P.P. Arnold
(USA)
Angel... |
LP | 1986 | 1986 | Castle Communications PLC | SHLP 157 | ||||
Die Ärzte (DEU) | ||||||||||
108 |
Die Ärzte
(DEU)
Die Ärzte |
LP | 1986 | 1986 | CBS Schallplatten GmbH | CBS 450122 1 | CBS | |||
109 |
Die Ärzte
(DEU)
Das Ist Nicht Die Ganze Wahrheit... |
LP | 1988 | 1988 | CBS Schallplatten GmbH | CBS 460 962 1 | CBS | |||
110 |
Die Ärzte
(DEU)
Nach Uns Die Sintflut |
3-LP + 7" (Live, Etched Vinyl) | 1988 | 1988 | CBS Records | CBS 463119 1 | CBS | |||
111 |
Die Ärzte
(DEU)
Rock'n'Roll Realschule - MTV Unplugged |
2-LP (Limited Edition, Live, Gatefold) | 2002 | 2002 | Hot Action Records | 108 934-1 | HOT ACTION RECORDS | |||
Asia (GBR) | ||||||||||
112 |
Asia
(GBR)
Asia |
LP | 1982 | 1982 | David Geffen Company, The | GEF 85577 | GEFFEN | |||
113 |
Asia
(GBR)
Astra |
LP | 1985 | 1985 | Geffen Records | GEF 26413 | GEFFEN | |||
Rick Astley (GBR) | ||||||||||
114 |
Rick Astley
(GBR)
Whenever You Need Somebody |
LP | 1987 | 1987 | BMG Records (UK) Ltd. | PL 71529 | RCA | |||
115 |
Rick Astley
(GBR)
Free |
LP | 1991 | 1991 | RCA | PL 74896 | RCA | |||
Atlantis (DEU) | ||||||||||
116 |
Atlantis
(DEU)
Atlantis |
LP | 1972 | 1972 | Vertigo | 6360 609 | ||||
117 |
Atlantis
(DEU)
It's Getting Better |
LP | 1973 | 1973 | Vertigo / Phonogram Inc. | VEL-1018 | ||||
118 |
Atlantis
(DEU)
Ooh, Baby |
LP (Gatefold) | 1974 | 1974 | Phonogram GmbH | Vertigo 6360 621 | ||||
119 |
Atlantis
(DEU)
Atlantis Live |
2-LP (Re-Release) | 1975 | 1979 | Venus Music | V79 AT-DW 1010 | VENUS-records | |||
120 |
Atlantis
(DEU)
Get On Board |
LP | 1975 | 1975 | Vertigo / Phonogram GmbH, Hamburg | 6360 630 | ||||
121 |
Atlantis
(DEU)
Top Of The Bill |
LP | 1976 | 1976 | Venus | V78 AT-F1002 | ||||
Atomic Rooster (GBR) | ||||||||||
122 |
Atomic Rooster
(GBR)
Death Walks Behind You |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | 1970 | 2017 | Music On Vinyl B.V. | MOVLP1907 | ||||
Avatarium (SWE) | ||||||||||
123 |
Avatarium
(SWE)
The Girl With The Raven Mask |
2-12" (Gatefold, Schwarzes Vinyl) | 2015 | 2015 | Nuclear Blast Records | NB3551-1 | NUCLEAR BLAST | |||
124 |
Avatarium
(SWE)
Hurricanes And Halos |
2-12" | 2017 | 2017 | Nuclear Blast Records | NB 3909-1 | NUCLEAR BLAST | |||
Bachman-Turner Overdrive (CAN) | ||||||||||
125 |
Bachman-Turner Overdrive
(CAN)
Rock Heavies |
LP | 1980 | 1980 | Mercury | 6336 623 | mercury | |||
Brigitte Bader (XXX) | ||||||||||
126 |
Brigitte Bader
(XXX)
Brigitte Bader Meets Johnny Griffin |
LP (Gatefold) | 1989 | 1990 | B.B.Production | BBLP 00190 | ||||
Joan Baez (USA) | ||||||||||
127 |
Joan Baez
(USA)
Let It Be |
LP (Compilation) | 0 | 0 | Platinum | PLP 83 | ||||
128 |
Joan Baez
(USA)
Noël |
LP (Re-Release) | 1966 | 0 | Vanguard | 0062.190 | Vanguard Records | |||
129 |
Joan Baez
(USA)
Any Day Now |
2-LP (Re-Release, Special Edition, Gatefold) | 1968 | 1976 | Vanguard | VSD 55/56 | ||||
130 |
Joan Baez
(USA)
The Joan Baez Ballad Book |
2-LP (Compilation, Gatefold) | 1972 | 1972 | Vanguard Records | VSD 41/42 | ||||
131 |
Joan Baez
(USA)
From Every Stage |
2-LP (Live, Gatefold) | 1976 | 1976 | A&M Records Ltd. | AMLM 63704 | ||||
Philip Bailey (USA) | ||||||||||
132 |
Philip Bailey
(USA)
Chinese Wall |
LP | 1984 | 1984 | CBS Inc. / Columbia | 26161 | CBS | |||
Anita Baker (USA) | ||||||||||
133 |
Anita Baker
(USA)
The Songstress |
LP | 1983 | 1983 | Elektra Entertainment / Warner Communications Inc. | 7559-61116-1 | ||||
134 |
Anita Baker
(USA)
Rapture |
LP | 1986 | 1986 | Elektra / Asylum Records | 960 444-1 | Elektra | |||
135 |
Anita Baker
(USA)
Compositions |
LP | 1990 | 1990 | Elektra Entertainment / Warner Communications Inc. | 7559-60922-1 | Elektra | |||
Chet Baker (USA) | ||||||||||
136 |
Chet Baker
(USA)
Chet |
LP (Re-Release, 180 Gramm Vinyl) | 1959 | 1983 | ZYX Music | OJP-087 (RLP-1135) | ||||
137 |
Chet Baker
(USA)
Chet Baker Introduces Johnny Pace |
LP (Re-Release, Remastered) | 1959 | 1990 | Original Jazz Classics / Fantasy | OJC-433 (RLP-12-292) | Riverside | |||
138 |
Chet Baker
(USA)
Chet Baker In Milan |
LP (Re-Release) | 1960 | 1989 | Original Jazz Classics / Fantasy | OJC-370 (JLP-18) | ||||
139 |
Chet Baker
(USA)
She Was Too Good To Me |
LP | 1974 | 1974 | CTI | 9012 | ||||
LaVern Baker (USA) | ||||||||||
140 |
LaVern Baker
(USA)
Lavern Baker Sings Bessie Smith |
LP (Mono, Re-Release) | 1958 | 1988 | Atlantic Recording Corporation | 90980-1 | ||||
Ginger Baker & Friends (GBR) | ||||||||||
141 |
Ginger Baker & Friends
(GBR)
Eleven Sides Of Baker |
LP | 1977 | 1977 | Mountain Records Ltd. | TOPC 5005 | ||||
Rebekka Bakken (NOR) | ||||||||||
142 |
Rebekka Bakken
(NOR)
Most Personal |
2-LP (Best-Of, Gatefold) | 2016 | 2016 | EmArcy / Universal | 5374177 | EmArcy | |||
The Band (CAN) | ||||||||||
143 |
The Band
(CAN)
The Last Waltz |
3-LP (Pappschuber) | 1978 | 1978 | Warner Bros. Records Inc. | WB 66076 | Warner Bros. Records | |||
Tony Banks (GBR) | ||||||||||
144 |
Tony Banks
(GBR)
A Curious Feeling |
LP | 1979 | 1979 | Charisma Records Ltd. | 9124 048 | Charisma | |||
145 |
Tony Banks
(GBR)
The Fugitive |
LP | 1983 | 1983 | Charisma | 812 383-1 Q | Charisma | |||
146 |
Tony Banks
(GBR)
Bankstatement |
LP | 1989 | 1989 | Virgin Records Ltd. | 210 071 | ||||
Barclay James Harvest (GBR) | ||||||||||
147 |
Barclay James Harvest
(GBR)
Once Again |
LP (Re-Release, Gatefold) | 1971 | 0 | Harvest / EMI | 1C 064-04 697 | HARVEST | |||
148 |
Barclay James Harvest
(GBR)
Baby James Harvest |
LP | 1972 | 0 | Harvest | 1 C 072-05 171 | HARVEST | |||
149 |
Barclay James Harvest
(GBR)
Everyone Is Everybody Else |
LP | 1974 | 1974 | Polydor International GmbH | 2383 286 | ||||
150 |
Barclay James Harvest
(GBR)
Live |
2-LP (Live, Gatefold) | 1974 | 1974 | Polydor | 2679 034 | ||||
151 |
Barclay James Harvest
(GBR)
Time Honoured Ghosts |
LP | 1975 | 1975 | Polydor International GmbH | 2383 361 | ||||
152 |
Barclay James Harvest
(GBR)
Octoberon |
LP (Re-Release) | 1976 | 0 | Polydor International GmbH | 2383 407 | polydor | |||
153 |
Barclay James Harvest
(GBR)
Gone To Earth |
LP | 1977 | 1977 | Polydor International GmbH | 2460 273 | polydor | |||
154 |
Barclay James Harvest
(GBR)
Gone To Earth |
LP | 1977 | 1977 | Polydor Ltd. UK | 2442 148 DELUXE | ||||
155 |
Barclay James Harvest
(GBR)
Live Tapes |
2-LP (Live, Gatefold) | 1978 | 1978 | Polydor International GmbH | 2679 054 | polydor | |||
156 |
Barclay James Harvest
(GBR)
Eyes Of The Universe |
LP | 1979 | 1979 | Polydor | 2383 557 | polydor | |||
157 |
Barclay James Harvest
(GBR)
Mocking Bird - The Early Years |
LP (Compilation) | 1980 | 1980 | Harvest / EMI | 1C 064-07 236 | HARVEST | |||
158 |
Barclay James Harvest
(GBR)
Ring Of Changes |
LP (Gatefold) | 1983 | 1983 | Polydor Ltd., London | 811 638-1 | polydor | |||
Mahalia Barnes & The Soul Mates (AUS) | ||||||||||
159 |
Mahalia Barnes & The Soul Mates
(AUS)
Ooh Yea The Betty Davis Songbook |
2-LP (Tribute, Gatefold, 180 Gramm Vinyl) | 2015 | 2015 | Provogue / Mascot Label Group | PRD 7455 1 | ||||
Count Basie (USA) | ||||||||||
160 |
Count Basie
(USA)
Chairman Of The Board |
LP (Re-Release, Remastered, 180 Gramm Vinyl) | 1958 | 2000 | Classic Records | SR 52032 | ||||
Count Basie & His Orchestra (USA) | ||||||||||
161 |
Count Basie & His Orchestra
(USA)
E=Mc² - The Complete Atomic Basie |
LP (Mono, Re-Release, Remastered, 180 Gramm Vinyl) | 1957 | 2000 | Classic Records | R 52003 | ||||
Shirley Bassey (GBR) | ||||||||||
162 |
Shirley Bassey
(GBR)
Born To Sing The Blues |
LP (Compilation) | 0 | 0 | Contour | 6870-568 | ||||
163 |
Shirley Bassey
(GBR)
Burn My Candle |
LP (Compilation) | 0 | 0 | Pickwick International Inc. (Great Britain) Ltd. | CN 2025 | ||||
164 |
Shirley Bassey
(GBR)
Love Story |
LP (Compilation) | 0 | 0 | United Artists Records | 61 220 | ||||
165 |
Shirley Bassey
(GBR)
The Magic Of Shirley Bassey |
LP (Compilation) | 0 | 0 | EMIdisc | 1C048-51829 | ||||
166 |
Shirley Bassey
(GBR)
Onvergetelijke Hits |
LP (Compilation) | 0 | 0 | Liberty / EMI | 1A 062-26519 | United Artists | |||
167 |
Shirley Bassey
(GBR)
The Spectacular Shirley Bassey |
LP (Compilation) | 0 | 0 | Philips / Applause | 6382 023 | ||||
168 |
Shirley Bassey
(GBR)
And We Were Lovers |
LP | 1967 | 1967 | United Artists Records | UAS 6565 | ||||
169 |
Shirley Bassey
(GBR)
This Is My Life |
LP | 1968 | 1968 | United Artists Records | UAS 6675 | ||||
170 |
Shirley Bassey
(GBR)
Something |
LP | 1970 | 1970 | United Artists Records | UAS 29100 | ||||
171 |
Shirley Bassey
(GBR)
And I Love You So |
LP | 1972 | 1972 | United Artists Records | UAS 29385 | ||||
172 |
Shirley Bassey
(GBR)
I Capricorn |
LP (Special Edition) | 1972 | 1972 | Liberty / UA GmbH | 28312-7 | ||||
173 |
Shirley Bassey
(GBR)
I've Got A Song For You |
LP | 1972 | 1972 | Sunset Records | SLS 50 151 XAT | ||||
174 |
Shirley Bassey
(GBR)
Never, Never, Never |
LP (Gatefold) | 1973 | 1973 | United Artists Records | UA -LA055-F | ||||
175 |
Shirley Bassey
(GBR)
Good, Bad But Beautiful |
LP | 1975 | 1975 | United Artists Records | UAS 29881 | ||||
176 |
Shirley Bassey
(GBR)
Yesterdays |
LP | 1978 | 1978 | Ariola Eurodisc GmbH | 30 141 XOT | United Artists | |||
177 |
Shirley Bassey
(GBR)
All By Myself |
LP | 1982 | 1982 | Applause | 545001 | ||||
178 |
Shirley Bassey
(GBR)
I Am What I Am |
LP (Compilation, Special Edition) | 1984 | 1984 | Towerbell Records | TOWLP 7 | ||||
179 |
Shirley Bassey
(GBR)
Emotions |
LP | 1985 | 1985 | Platinum | PLP 46/24008 | ||||
Mike Batt & Friends (GBR) | ||||||||||
180 |
Mike Batt & Friends
(GBR)
Tarot Suite |
LP (Gatefold) | 1979 | 1979 | Epic | EPC 86099 | Epic | |||
James Bay (GBR) | ||||||||||
181 |
James Bay
(GBR)
Chaos And The Calm |
LP (Gatefold, 180 Gramm Vinyl) | 2015 | 2015 | Republic Records | 471849-7 | UNIVERSAL | |||
Carole Bayer Sager (USA) | ||||||||||
182 |
Carole Bayer Sager
(USA)
...Too |
LP | 1978 | 1978 | Elektra / Asylum Records | 6E-151 | ||||
The Beach Boys (USA) | ||||||||||
183 |
The Beach Boys
(USA)
The Best Of |
2-LP (Best-Of) | 1973 | 1973 | Capitol Records / EMI | 1 C 148-80 891/892 | ||||
The Beatles (GBR) | ||||||||||
184 |
The Beatles
(GBR)
A Taste Of Honey - Вкус Мёда - |
LP (Compilation) | 0 | 1986 | Melodija (Мелодия) | C60 23581 008 | ||||
185 |
The Beatles
(GBR)
Please Please Me |
LP (Re-Release) | 1963 | 1977 | Apple Records / EMI Electrola GmbH | 1C 072-04 219 | Apple | |||
186 |
The Beatles
(GBR)
With The Beatles |
LP (Re-Release) | 1963 | 0 | EMI Records Ltd. | 1A 062-04181 | ||||
187 |
The Beatles
(GBR)
A Hard Day's Night |
LP (Re-Release) | 1964 | 0 | EMI Records Ltd. | 1A 062-04145 | ||||
188 |
The Beatles
(GBR)
Yeah! Yeah! Yeah! |
LP (Re-Release) | 1964 | 1976 | EMI / Odeon | 1C 072-04 145 | Odeon | |||
189 |
The Beatles
(GBR)
Help! |
LP (Re-Release) | 1965 | 1978 | Parlophone / Pathé Marconi EMI | 2C 066-04 257 | ||||
190 |
The Beatles
(GBR)
Rubber Soul |
LP (Re-Release) | 1965 | 1969 | Odeon | 1C 062-04 115 | ||||
191 |
The Beatles
(GBR)
Revolver |
LP (Re-Release) | 1966 | 1977 | Apple | 1 C 072-04 097 | ||||
192 |
The Beatles
(GBR)
Magical Mystery Tour |
LP (Re-Release, Remastered, Gatefold, 180 Gramm Vinyl) | 1967 | 2012 | Capitol Records / EMI Records Ltd. | Capitol 2835 | Parlophone | |||
193 |
The Beatles
(GBR)
Sgt. Pepper's Lonely Hearts Club Band |
LP (Re-Release, Gatefold) | 1967 | 1977 | EMI Electrola / Apple | 1C 072-04 177 | ||||
194 |
The Beatles
(GBR)
The Beatles [White Album] |
2-LP (Nummeriert, Re-Release, Gatefold) | 1968 | 1973 | Apple | 1 C 192-04 173 / 1 C 192-04 174 | ||||
195 |
The Beatles
(GBR)
+
George Martin
(GBR)
Yellow Submarine |
Split-LP (Re-Release)
(Split mit: George Martin (GBR)) |
1968 | 1977 | Apple / EMI | 1 C 072-04 002 | ||||
196 |
The Beatles
(GBR)
Abbey Road |
LP | 1969 | 1969 | Apple / EMI | 1 C 062-04 243 | ||||
197 |
The Beatles
(GBR)
Hey Jude |
LP | 1970 | 1970 | Apple Records | 1C 062-04 348 | ||||
198 |
The Beatles
(GBR)
Let It Be |
LP (Re-Release, Gatefold) | 1970 | 1970 | Apple Records | AR 34001 | ||||
199 |
The Beatles
(GBR)
1962-1966 |
2-LP (Compilation, Gatefold) | 1973 | 1973 | Apple Records | 1C 188-05 307/08 | ||||
200 |
The Beatles
(GBR)
1967-1970 |
2-LP (Compilation, Gatefold) | 1973 | 1973 | Apple Records | 1C 172-05 309/10 | Apple |
Bedankt euch bei deutschen Abmahn-Anwälten
Leider passiert es immer wieder, dass Abmahnungen für angebliche Copyright-Verletzungen ins Haus flattern. Ganz häufig ist es der Fall, dass auf dem Frontcover ein Foto oder eine Grafik eines Fotografen oder Künstlers genutzt wird, was dann nur mit dem Namen der Band und dem Titel des Albums versehen wurde. Das ursprüngliche Foto/Kunstwerk ist somit immer noch sehr prominent zu sehen. Die Abmahner nutzen zumeist automatisierte Prozesse, die das Netz nach unlizensierten Nutzungen der Werke ihrer Mandanten durchsuchen und dabei Abweichungen bis zu einem gewissen Prozentgrad ignorieren. Somit gibt es also häufig angebliche Treffer. Obwohl das Foto/Kunstwerk von den Plattenfirmen oder Bands ganz legal für die Veröffentlichung lizensiert wurde, ist dies den Abmahnern egal, ganz oft wissen die ja nicht einmal, was für eine einzelne Veröffentlichung abgemacht wurde. Die sehen nur die angebliche Copyright-Verletzung und fordern die dicke Kohle.
Da Musik-Sammler.de nachwievor von privater Hand administriert, betrieben und bezahlt wird, ist jede Abmahnung ein existenzbedrohendes Risiko. Nach der letzten Abmahnung, die einen 5-stelligen(!) Betrag forderte, sehe ich mich nun gezwungen drastische Maßnahmen zu ergreifen oder die Seite komplett aufzugeben. Daher werden jetzt alle hochgeladenen Bilder der Veröffentlichungen für NICHT-EINGELOGGTE Nutzer verpixelt. Wer einen Musik-Sammler.de Nutzeraccount hat, braucht sich also einfach nur einmal anmelden und sieht wieder alles wie gewohnt.